CONFERENCE PANELS
AND LOCATIONS
|
SESSION I: THURSDAY, APRIL 3, 1:45-3:15 p.m. | ROOM |
| 1.A | Narrative Magic in the Novels of Louise Erdrich,
Isabel Allende, and Alice Hoffman | Conference Room 2 |
| 1.B | Sleeping with the Enemy: Cultural and Narrative
Tactics in Women's, Minority, and
Postcolonial Literature, Part II | Capriccio |
| 1.C | Culture as Body: Disease, Language and the
Excess of Affect | University A |
| 1.D | Re-Mapping or Re-Territorializing?
Emergent Designs in Revisionist Narratives | President's Ballroom |
| 1.E | Narrative Forms of Contemporary Popular Culture | Conference Room 3 |
| 1.F | Secrets, Promises, and Confessions: Verbal
Performance in Victorian Literature | Conference Room 1 |
| 1.G | Class/Gender Intersections and the Politics of
Narrative Form | University B |
| 1.H | Intertextuality and Adaptation in Contemporary
Fiction and Film | Conference Room 4 |
|
SESSION II: THURSDAY, APRIL 3, 3:45-5:15 p.m. | ROOM |
| 2.A | AIDS, Narrative, Anti-Narrative | President's Ballroom |
| 2.B | Bodies/Politics/Narratives in the
Civil Rights Movement | Capriccio |
| 2.C | Daughters, Sisters, and Wives: Family Plots in
the Nineteenth Century | University A |
| 2.D | Sex, Bodies, and Subjects in the
Nineteenth Century | Conference Room 1 |
| 2.E | Polyphony and Dialogic Structure in
Multicultural Literatures | Conference Room 3 |
| 2.F | Something Borrowed: Expanding
Generic Conventions | Conference Room 2 |
| 2.G | The Dialogics of Popular Culture and
Modernist Literature | Conference Room 4 |
|
SESSION III: FRIDAY, APRIL 4 8:30-10:00 a.m. | ROOM |
| 3.A | Narrative Cures: Theorizing Contemporary
Narratives of Teaching | Conference Room 2 |
| 3.B | The Three R's: Reading and "Riting Race" | President's Ballroom |
| 3.C | Historical Narrative and Cinematic Representation | Conference Room 4 |
| 3.D | Women in Revolt | Capriccio |
| 3.E | The Politics and Poetics of Structure in
Modernist Literature | Conference Room 3 |
| 3.F | Narrating Postmodern Spaces | Conference Room 1 |
| 3.G | Philosophy as Narrative, Narrative as Philosophy | University A
|
|
SESSION IV: FRIDAY, APRIL 4, 10:15-11:45 a.m. | ROOM |
| 4.A | Ambivalent Appropriations: Postwar Narratives
of Interracial Exchange | President's Ballroom |
| 4.B | Official Stories: Narrative Under
Institutional Constraints | Conference Room 2 |
| 4.C | Visual Translations and Adaptations | Capriccio |
| 4.D | Embodiment, Identity, and Sexuality | University B |
| 4.E | Fin-de-Millennium Politics in Contemporary Film | Conference Room 4 |
| 4.F | Narrative Strategies in Victorian Fiction | Conference Room 3 |
| 4.G | Strategies of Introspection and Narrative Control | University A |
| 4.H | Historicism and Literature: Problems and
Reconsiderations | Conference Room 1 |
|
SESSION V: FRIDAY, APRIL 4, 1:00-2:30 p.m. | ROOM |
| 5.A | Gender, Sexuality, and the Narratives of Modernity | Capriccio |
| 5.B | The Reproduction of Citizens: Sex, Death, and
Marriage in American Culture | University A |
| 5.C | Why Do Victorian Narrative? | President's Ballroom |
| 5.D | Holocaust Narrative: From Trauma to Text | Conference Room 3 |
| 5.E | Reimagining the Forms of Eighteenth Century
Narrative | Conference Room 4 |
| 5.F | Ghost Stories: History and the Voices of the Dead | Conference Room 1 |
| 5.G | Cultural Politics and Class in Twentieth Century
American Literature | Conference Room 2 |
| 5.H | Cultural Traditions and Narrative Performances
in the African Novel | University B
|
|
SESSION VI: FRIDAY, APRIL 4, 2:45-4:15 p.m. | ROOM |
| 6.A | The Main Attraction: Nation, Culture, and
Film Narration | Capriccio |
| 6.B | Essay Films | Conference Room 4 |
| 6.C | Narrative Theory and/or Theory of the Novel | President's Ballroom |
| 6.D | Form and Chaos in Romantic Literature | Conference Room 1 |
| 6.E | Politics, Performance, and Genre in Nineteenth
Century African-American Narratives | University B |
| 6.F | Modernism, Markets, Gender, and the Other | University A |
| 6.G | Remapping the Social Space of the Eighteenth
and Nineteenth Centuries | Conference Room 3 |
| 6.H | Politics and Form in Comic Narratives | Conference Room 2
|
|
SESSION VII: SATURDAY, APRIL 5, 8:30-10:00 a.m. | ROOM |
| 7.A | Bakhtin in Politics: Dialogical Narratives of
the Public Sphere and the Marketplace | President's Ballroom |
| 7.B | Narratives of Theory | Capriccio |
| 7.C | (Post)colonial Bodies: Racial Identities,
Critical Tropes | Conference Room 4 |
| 7.D | Narrative Theory Reading George Eliot | Conference Room 3 |
| 7.E | Rhetorical Disruptions and Narrative Form | Conference Room 2 |
| 7.F | Plotting the Self: Modal Theory, Psychoanalysis,
and Ethics | Conference Room 1 |
| 7.G | Form and Myth in National Narratives | University A |
| 7.H | Ordering America in the Nineteenth Century | University B
|
|
SESSION VII: SATURDAY, APRIL 5, 10:15-11:45 a.m. | ROOM |
| 8.A | Negotiating the Musical Subject: Autobiography,
Sexuality and Race in Twentieth Century
Concert Music | President's Ballroom |
| 8.B | Literary Narrative and Historical Analysis:
Views of the Nineteenth Century | Conference Room 1 |
| 8.C | Geographic Transformations: Victorian Narratives
of Self and Place | Capriccio |
| 8.D | Unwritten Love Letters | Conference Room 4 |
| 8.E | Strategies of Modernist Narration | University B |
| 8.F | Strategies of Cultural Appropriation in
Contemporary Fiction | Conference Room 2 |
| 8.G | Narrating Postcolonial History | Conference Room 3 |
| 8.H | Appropriations and Intertextualities of
Nineteenth Century Narratives | University A
|
|
SESSION IX: SATURDAY, APRIL 5, 1:00-2:30 p.m. | ROOM |
| 9.A | Narratives of Modernist Ethnography | President's Ballroom |
| 9.B | American Myths -- Narratives of Race | Conference Room 4 |
| 9.C | Reimagining Bakhtin's Canon,
Bakhtin Reimagining the Canon | Conference Room 3 |
| 9.D | Crossing Borders: Women in Flight | University A |
| 9.E | Dialogics of Form in American Women's Fictions | Capriccio |
| 9.F | Bakhtinian Reconsiderations of
Nineteenth Century Narratives | Conference Room 2 |
| 9.G | History and Performing Bodies in
Contemporary Fiction | University B |
| 9.H | Narratives of the Academy | Conference Room 1
|
|
SESSION X: SATURDAY, APRIL 5, 2:45-4:15 p.m. | ROOM |
| 10.A | Narratives of Assimilation: Jewish-American Writers
Working Between the Lines of Race and Gender | President's Ballroom |
| 10.B | Reconfiguring Modernism: Textualizing
Images and Visualizing Narratives | Capriccio |
| 10.C | Anthony Trollope: Sex, Politics, and Plot | Conference Room 3 |
| 10.D | Authority, Authorship, and Subjectivity
in Twentieth Century British Literature | University B |
| 10.E | Popular Culture and Public Controversies
in the Nineteenth Century | Conference Room 1 |
| 10.F | Narratives in Cultural Contact Zones | Conference Room 4 |
| 10.G | Narratives of the State | Conference Room 2 |
| 10.H | Privileged Refugee, Advanced Tourist, and
Trained Observer: Fluid Identities Across the
Boundaries of Travel | University A
|
|
SESSION XI: SUNDAY, APRIL 6, 8:30-10:00 a.m. | ROOM |
| 11.A | Victorians at the Movies:
Technologies of Sex and Race
in Novelistic and Cinematic Narratives | President's Ballroom |
| 11.B | What Do Narratives Want? | Capriccio |
| 11.C | Narratives of Masculinity in American Literature | Conference Room 4 |
| 11.D | Performing Gender and Racial Identities | Conference Room 3 |
| 11.E | Rethinking Metaphor | University A |
| 11.F | Magical Realism and Metafictional Strategies in
the Literature of the Americas | Conference Room 2 |
| 11.G | Liberal Objects: Markets and the Matter
of Subjectivity | Conference Room 1 |
| 11.H | A Cacophony of Voices: Reading and Writing
About Contemporary Fiction | University B |
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