The Novel

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NARRATIVE FICTION AND THE NOVEL: GENERAL

History: General

Theory: General

Classical treatises to 1900

Miscellaneous


History: General

Armstrong, Nancy. Desire and Domestic Fiction: A Political History of the Novel. New York: Oxford UP, 1987. 1990.

Baumgarten, Murray. "From Realism to Expressionism: Toward a History of the Novel." New Literary History 6.2 (Winter 1975): 415-27.

Boxall, Peter. 1.001 libros que hay que leer antes de morir. Barcelona: Grijalbo, 2006.

Brink, André. Reading the Novel: Narrative Language from Cervantes to the Postmodern. Basingstoke: Macmillan, 1997.

Doody, Margaret Anne. The True History of the Novel. London: HarperCollins, 1997.

Dunlop, John C. History of Prose Fiction. 3 vols. Edinburgh, 1814.

_____. History of Prose Fiction. 2 vols. 1907.

Moretti, Franco. Atlas of the European Novel. c. 1998.

Phelps, Gilbert. A Short Guide to the World Novel: From Myth to Modernism. London: Routledge, 1988.

Reed, Walter L. An Exemplary History of the Novel: The Quixotic Versus the Picaresque. Chicago: U of Chicago P, 1981.


Theory: General

Aguiar e Silva, Vítor Manuel de. "La novela." In Aguiar e Silva, Teoría de la literatura. 1968. Trans. Valentín García Yebra. Madrid: Gredos, 1972. 197-243.

Albaladejo, T. Semántica de la narración: la ficción realista. Madrid: Taurus, 1992.

Bakhtin, Mikhail. "Slovo v romane." ("Discourse in the Novel"). 1934-35. Extract from "Iz predystorii romannogo slova." Voprosy Literatury 8 (1965): 84-95.

_____. "The Word in the Novel." Trans. of "Slovo v romane." Comparative Criticism Yearbook 2 (1980): 213-20.

_____. "Discourse in the Novel." In Bakhtin, The Dialogic Imagination: Four Essays. Ed. Michael Holquist. Austin: U of Texas P, 1981. 259-422.

_____. From "Discourse in the Novel." In Modern Literary Theory: A Reader. Ed. Philip Rice and Patricia Waugh. 3rd ed. London: Arnold, 1996. 230-38.

_____. "Heteroglossia in the Novel." In Bakhtinian Thought: An Introductory Reader. Ed. Simon Dentith. London: Routledge, 1995. 1996. 195-224.

_____. "L'énoncé dans le roman." Trans. of "Slovo v romane." Langages 12 (1968): 126-32.

_____. "Du discours romanesque." In Bakhtin, Esthétique et théorie du roman. Paris Gallimard, 1978. 83-234.

_____. "Epic and Novel." In Bakhtin, The Dialogic Imagination: Four Essays. Ed. Michael Holquist. Austin: U of Texas P, 1981. 3-40.

_____. "Epic and Novel." In Essentials of the Theory of Fiction. Ed. Michael J. Hoffman and Patrick D. Murphy. Durham (NC): Duke UP, 1988. 48-69.

_____. Voprosy literatury i estetiki. Moscow: Khudozhestvennaia literatura, 1975.

_____. The Dialogic Imagination: Four Essays. Ed. Michael Holquist. Trans. Caryl Emerson and Michael Holquist. Austin: U of Texas P, 1981. (4 essays from Voprosy literatury i estetiki).

_____. From The Dialogic Imagination. In Theory of the Novel: A Historical Approach. Ed. Michael McKeon. Baltimore: Johns Hopkins UP, 2000. 321-53. (Epic and Novel. From the Prehistory of Novelistic Discourse. Discourse in the Novel)

_____. Esthétique et théorie du roman. Introd. Michel Aucouturier. Trans. Daria Oliver. Paris: Gallimard, 1978. (Col. Tel, 1987). Trans. of Voprosy literatury i estetiki.

_____. Teoría y estética de la novela. Trans. Helena Kriukova and Vicente Cazcarra. Madrid: Taurus, 1989.

_____. "Towards a Methodology for the Study of the Novel." In The Realist Novel. Ed. Dennis Walder. London: Routledge / Open U, 1995. 2001. 262-68.

Baquero Goyanes, Mariano. Qué es la novela. Buenos Aires, 1961.

_____. Qué es la novela. 3rd ed. Buenos Aires: Columba, 1975.

_____. ¿Qué es la novela? ¿Qué es el cuento? (1961, 1967). Introd. Francisco Javier Díez de Revenga. Murcia: Universidad de Murcia, 1993.

_____. Estructuras de la novela actual. (Ensayos / Planeta de lingüística y crítica literaria). Barcelona: Planeta, 1970.

Barilli, Renato. "Le strutture del romanzo." In Gruppo 63. Milano: Feltrinelli, 1964.

Bateson, F. W. "The Novel's Original Sin: A Lecture." In Bateson, Essays in Critical Dissent. London: Longman, 1972. 242-53.

Bennett, Tony. "Theories of the Novel." In Bennett, Outside Literature. London: Routledge, 1990. 86-98.

Bernstein, J. M. The Philosophy of the Novel: Lukács, Marxism and the Dialectics of Form. Brighton: Harvester, 1984.

Bobes Naves, M. C. La novela. (Teoría de la Literatura y Literatura Comparada, 16). Madrid: Síntesis, 1993.

Booth, Wayne C. The Rhetoric of Fiction. Chicago: U of Chicago P, 1961.

_____. The Rhetoric of Fiction. 2nd. ed. 1983. Harmondsworth: Penguin, 1987.

_____. La retórica de la ficción. Trans. Santiago Gubern. Barcelona: Bosch, 1974.

_____. "The Rhetoric of Fiction and the Poetics of Fiction." Novel 1 (Winter 1968): 105-17. Rpt. in Booth, Now Don't Try to Reason with Me: Essays and Ironies for a Credulous Age. Chicago: U of Chicago P, 1970.

Bourneuf, Roland, and Réal Ouellet. L'Univers du roman. Paris: PUF, 1972.

_____. La novela. Trans. Enric Sullà. 5th ed. Barcelona: Ariel, 1989.

Bovet, E. Roman et poésie: Essai sur l'esthétique des genres. Paris: Nizet, 1951.

Chatman, Seymour. "What Is Narrative? Some Basic Terms." In Chatman, Reading Narrative Fiction. New York: Macmillan, 1993. 7-19. (The Text-Types; Getting the Point; The Meaning of 'Fiction'; Story and Discourse).

Clark, Katherina, and Michael Holquist. "The Theory of the Novel." In Clark and Holquist, Mikhail Bakhtin. Cambridge (MA): Harvard UP-Belknap Press, 1984.

Cook, Albert. The Meaning of Fiction. Detroit: Wayne State UP, 1960.

Cornils, Anja, and Wilhelm Schernus. "On the Relationship between the Theory of the Novel, Narrative Theory, and Narratology." In What Is Narratology? Questions and Answers Regarding the Status of a Theory. Ed. Tom Kindt and Hans-Harald Müller. (Narratologia, 1). Berlin and New York: De Gruyter, 2003. 137-74.

_____. "Le rapport entre théorie du roman, théorie narrative et narratologie." In Théorie du récit: L'apport de la recherche allemande. Villeuneve d'Ascq: Presses Universitaires du Septentrion, 2007. 17-58.

Díaz-Migoyo, Gonzalo. La diferencia novelesca: Lectura irónica de la ficción. (Visor, Literatura y debate crítico, 6). Madrid: Visor.

Domínguez Caparrós, José. "Capítulo XI. La novela. Otros géneros." In Domínguez Caparrós, Teoría de la Literatura. Madrid: Centro de Estudios Ramón Areces, 2002. 161-82.

Doody, Terrence. Among Other Things: A Description of the Novel. LSU Press, 1998.

Eagleton, Terry. "What Is a Novel?" In Eagleton, The English Novel. Oxford: Blackwell, 2005. 1-21.

Forster, E. M. Aspects of the Novel. London: Arnold, 1927.

_____. Aspectos de la novela. Madrid: Debate, 1985. 2nd ed. 1986.

Friedman, Norman. Form and Meaning in Fiction. Athens: U of Georgia P, 1975.

Fowler, Roger. Linguistics and the Novel. 1977. London: Methuen, 1985.

García Landa, José Ángel. Acción, Relato, Discurso: Estructura de la ficción narrativa. (Acta Salmanticensia, Estudios Filológicos, 269). Salamanca: Ediciones Universidad de Salamanca, 1998. http://www.eusal.es/index.php?page=shop.product_details&flypage=shop.flypage&product_id=14773&category_id=204&manufacturer_id=0&option=com_virtuemart&Itemid=56 2008

_____. Acción, Relato, Discurso: Estructura de la ficción narrativa. Online edition at the author's website, U of Zaragoza. http://www.unizar.es/departamentos/filologia_inglesa/garciala/publicaciones/ard/ 2009

Genette, Gérard. Figures II. Paris: Seuil, 1969.

_____. Figures III. Paris: Seuil, 1972.

Gullón, Agnes, y Germán Gullón, eds. Teoría de la novela. Madrid: Taurus, 1974.

Hale, Dorothy J. Social Formalism: The Novel in Theory from Henry James to the Present. 1998.

Hamburger, Käte. Die Logik der Dichtung. 1957. Stuttgart: Klett, 1977.

Hamilton, Clayton. Materials and Methods of Fiction. New York: Baker and Taylor, 1908.

Hardy, Barbara. Narrators and Novelists. Hemel Hempstead: Harvester Wheatsheaf, 1987.

Halperin, John, ed. The Theory of the Novel: New Essays. New York: Oxford UP, 1974.

Hillebrand, Bruno, ed. Zur Struktur des Romans. Darmstadt: Wissenschaftliche Buchgesellschaft, 1978.

Ihwe, J., and H. Rieser. "Normative and Descriptive Theory of Fiction: Some Contemporary Issues." Poetics 8.1-2 (1979): 63-84.

James, Henry. Preface to The Golden Bowl. In The Novels and Tales of Henry James. Reprint of the "New York Edition." vol. 23. New York, 1971.

_____. From the preface to The Golden Bowl. In Theory of the Novel: A Historical Approach. Ed. Michael McKeon. Baltimore: Johns Hopkins UP, 2000. 665-72.

Jean, G. Le Roman. Paris: Seuil.

Kahler, Erich. "Die Verinnerung des Erzählens." In Kahler, Untergang und Übergang. Munich: Deutscher Taschenbuch Verlag, 1970.

_____. The Inward Turn of Narrative. Trans. Richard Winston and Clara Winston. With a Foreword by Joseph Frank. Princeton (NJ): Princeton UP, 1973. Trans. of "Die Verinnerung des Erzählens."

Keiter, H., and F. Kellen. Der Roman. Essen, 1908.

Kennedy, X. J., and Dana Gioia. Literature: An Introduction to Fiction, Poetry and Drama. 7th ed. New York: Addison Wesley Longman, 1998.

_____. An Introduction to Fiction. 7th ed. New York: Addison Wesley Longman, 1999.

Kermode, Frank. "Novel, History and Type." Novel 1 (1967): 231-8.

_____. "Novel and Narrative." In The Theory of the Novel. Ed. John Halperin. New York: Oxford UP, 1974.

Klotz, Volker, ed. Zur Poetik des Romans. Darmstadt, 1965.

Kristeva, Julia. "Bakthin, le mot, le dialogue et le roman." Critique 239 (1967): 438-65.

_____. "Word, Dialogue, and Novel." Trans. Alice Jardine et al. In Desire in Language.

_____. "The Novel as Polylogue." In Desire in Language. New York, 1980. ch. 7.

_____. Le texte du roman. The Hague: Mouton, 1970.

_____. El texto de la novela. Trans. Jordi Lloret. Barcelona: Lumen, 1974.

Kundera, Milan. L'Art du roman. Paris: Gallimard, 1986.

_____. The Art of the Novel. Trans. Linda Asher. New York: Grove Press, 1986.

_____. The Art of the Novel. London: Faber, 1990.

_____. El arte de la novela. Trans. Fernando de Valenzuela and María Victoria Villaverde. Barcelona: Tusquets, 1987.

Lawrence, D. H. "The Novel." 1925.

_____. "Why the Novel Matters." In Phoenix: The Posthumous Papers of D. H. Lawrence. 1936.

_____. "Why the Novel Matters." In 20th Century Literary Criticism: A Reader. Ed. David Lodge. London: Longman, 1972. 131-35.

_____. "Why the Novel Matters." In D. H. Lawrence: Selected Literary Criticism. Ed. Anthony Beale. New York: Viking, 1966.

Liddell, Robert. A Treatise on the Novel. London: Cape, 1947.

_____. Robert Liddell on the Novel. 1947. Chicago: U of Chicago P, 1969.

Lodge, David. The Art of Fiction. London: Secker, 1992.

Lothe, Jakob. Narrative in Fiction and Film: An Introduction. Oxford: Oxford UP, 2000.

Lubbock, Percy. The Craft of Fiction. London: Jonathan Cape, 1921. New ed. 1923. 1926.

_____. The Craft of Fiction. New York, 1947.

_____. The Craft of Fiction. New York: Viking-Compass, 1957.

Lukács, Georg. "Die Theorie des Romans". Zeitschrift für Ästhetik und Allgemeine Kunstwissenschaft 11 (1916):: 226 ff.

_____. The Theory of the Novel. Trans. A. Bostock. London: Merlin Press, 1971.

_____. The Theory of the Novel. Trans. Anna Bostock. Cambridge: MIT Press, 1971. 1983.

_____. La Théorie du roman. Trans. Jean Clairevoye. Paris: Gonthier, 1963.

_____. La Théorie du roman. Trans. Jean Clairevoye. Paris: Denoël, 1968.

_____. Teoría de la novela. Buenos Aires: Siglo XXI, 1966.

_____. La teoría de la novela. Barcelona: Grijalbo, 1975.

_____. Teoría de la novela. Trans. Manuel Sacristán. Introd. Manuel Vázquez Montalbán. (Biblioteca Universal, Ensayo Contemporáneo). Barcelona: Círculo de Lectores, 1999.

_____. From The Theory of the Novel. In Theory of the Novel: A Historical Approach. Ed. Michael McKeon. Baltimore: Johns Hopkins UP, 2000. 185-218.

Maíllo Salgado, Felipe. "Algunas reflexiones sobre la lengua española, la novela y la tarea de novelar." In Palabras, Norma, Discurso: En memoria de Fernando Lázaro Carreter. Ed. Luis Santos Río et al. Salamanca: Ediciones U de Salamanca, 2005. 747-53.

Martin, Harold C., ed. Style in Prose Fiction. New York: Columbia UP, 1959.

Mauriac, François. Le Roman. 1928.

Medina, Angel. Reflection, Time, and the Novel: Toward a Communicative Theory of Literature. London: Routledge, 1979.

Miller, D. A. Narrative and Its Discontents: Problems of Closure in the Traditional Novel. Princeton: Princeton UP, 1981.

Mitterrand, Henri. Le Discours du roman. Paris: PUF, 1980.

Muir, Edwin. The Structure of the Novel. London: Hogarth Press, 1928.

Ortega y Gasset, J. Meditaciones del Quijote. Ideas sobre la novela. Madrid: Espasa-Calpe, 1985.

_____. From Meditations on Quixote. In Theory of the Novel: A Historical Approach. Ed. Michael McKeon. Baltimore: Johns Hopkins UP, 2000. 271-93.

_____. "Ideas sobre la novela." In Ortega, Obras completas. Madrid: Revista de Occidente, 1957. 3: 387-410.

_____. From Notes on the Novel. In Theory of the Novel: A Historical Approach. Ed. Michael McKeon. Baltimore: Johns Hopkins UP, 2000. 294-316.

_____. The Dehumanization of Art and Notes on the Novel. Trans. H. Weyl. Princeton, 1948.

Overton, Grant. The Philosophy of Fiction.

Paris, Bernard J. A Psychological Approach to Fiction. Bloomington: Indiana UP, 1974.

Perry, Bliss. A Study of Prose Fiction. 1902. Cambridge (MA): Houghton, 1920.

Polo García, V., ed. La novela. 1987.

Pozuelo Yvancos, José María. Poética de la ficción. Madrid: Síntesis, 1993.

Prado Biezma, F. J. del. Cómo se analiza una novela. Madrid: Alhambra, 1984.

Prieto, A. Morfología de la novela. Barcelona: Planeta, 1975.

Raimond, Michel. Le Roman. Paris: Armand Colin, 1988.

Rossum-Guyon, Françoise van. Critique du roman. Paris: Gallimard, 1970.

Sanz, S., and C. J. Barbachano. Teoría de la novela. Madrid: Sociedad General Española de Librería, 1976.

Schlegel, Friedrich. "Brief über den Roman." In Schlegel, Kritische Ausgabe. Ed. Hans Eichner. 1967.

_____. "Carta sobre la novela." In Schlegel, "Diálogo sobre la poesía." 1800. In Schlegel, Poesía y filosofía. Madrid: Alianza, 1994. 129-38.

Scholes, Robert. Elements of Fiction. New York, 1968.

_____, ed. Approaches to the Novel. San Francisco: Chandler, 1961.

Scholes, Robert, and Robert Kellogg. The Nature of Narrative. New York: Oxford UP, 1966.

Shklovski, Viktor. "La construction de la nouvelle et du roman." Todorov, Théorie de la littérature 170-196. Trans. from O teorii prozy.

_____. O teorii prozy. 1925. 2nd. ed. Moscow: Federatsia,1927.

_____. Sobre la prosa literaria. Barcelona: Planeta, 1971.

Spencer, Sharon. Space, Time, and Structure in the Modern Novel. New York: New York UP, 1971.

Spilka, Mark, ed. Towards a Poetics of Fiction. Bloomington: Indiana UP, 1977.

Stanzel, Franz K. Die Typischen Erzählsituationen im Roman. Vienna: Braumüller, 1955.

_____. Narrative Situations in the Novel. Trans. James P. Pusack. Bloomington: Indiana UP, 1971.

_____. Typische Formen des Romans. Göttingen: Vandenhoeck & Ruprecht, 1964. 2nd. ed. 1965. (Kleine Vandenhoeck-Reihe, 1187). 12th ed. Göttingen: Vandenhoeck & Ruprecht, 1993.

Sukenick, Ronald. In Form: Digressions on the Art of Fiction. Carbondale: Southern Illinois UP, 1985.

Tacca, Oscar. Las voces de la novela. Madrid: Gredos, 1973. 3rd ed., 1985.

Thibaudet, Albert. Refléxions sur le roman. Paris: Gallimard, 1938.

Undurraga, Antonio. Autopsia de la novela: Teoría y práctica de los narradores. Mexico: B. Costa-Amic, 1967.

Villanueva, Darío. "Lectura crítica de la novela." Diss. U of Leiden, 1982.

_____. El comentario de textos narrativos: La novela. Gijón: Júcar; Valladolid: Aceña, 1989.

Warren, Austin. "The Nature and Modes of Narrative Fiction." In Calderwood, Perspectives on Fiction.

Watson, George. The Story of the Novel. London: Macmillan, 1979.

Weber, Jean-Jacques. Critical Analysis of Fiction. Amsterdam: Rodopi, 1992.

Wimsatt, W. K., and Cleanth Brooks. "Fiction and Drama: The Gross Structure." In Wimsatt and Brooks, Literary Criticism: A Short History. New York: Knopf, 1957. 681-98.

Wood, James. How Fiction Works. C. 2008.



Anthologies


Allott, Miriam, ed. Novelists on the Novel. New York: Columbia UP, 1959.

_____, ed. Novelists on the Novel. London: Routledge, 1968.

_____, ed. Los novelistas y la novela. Barcelona: Seix-Barral, 1965.

Davis, Robert Murray, ed. The Novel: Modern Essays in Criticism. Englewood Cliffs (NJ): Prentice-Hall, 1969.

Hale, Dorothy J., ed. The Novel: An Anthology of Criticism and Theory 1900-2000. Blackwell, 2006 [issued 2005]. (General introd.; & introds. to Part I, Form and Function; Part II, The Chicago School; Part III, Structuralism, Narratology, Deconstruction; Part IV, Psychoanalytic Approaches; Part V, Marxist Approaches; Part VI, The Novel as Social Discourse; Part VII, Gender, Sexuality, and the Novel; Part VIII, Post-Colonialism and the Novel).

Hoffman, Michael J., and Patrick D. Murphy, eds. Essentials of the Theory of Fiction. Durham (NC): Duke UP, 1988.

McKeon, Michael, ed. Theory of the Novel: A Historical Approach. Baltimore: Johns Hopkins UP, 2000.

Stevick, Philip, ed. The Theory of the Novel. New York: Free Press, 1967.

Sullà, Enric, ed. Teoría de la novela: Antología de textos del siglo XX. Barcelona: Crítica, 1996.



Classical treatises to 1900


Besant, Walter. The Art of Fiction. Henry James. The Art of Fiction. Boston: Cupples, Upham, and Co., 1885.

Blankenburg. Versuch über den Roman. Leipzig, 1774.

Bulwer-Lytton, Edward. "On Art in Fiction." 1838. Extract. In Victorian Criticism of the Novel. Ed. Edwin M. Eigner and George J. Worth. Cambridge: Cambridge UP, 1985. 22-38.

Eliot, George. "Story-Telling." In The Writer's Art: By Those Who Have Practiced It. Ed. Rollo Walter Brown. Cambridge (MA): Harvard UP, 1921. 247-51.

Howells, William Dean. Criticism and Fiction. 1891. In Howells, Criticism and Fiction and Other Essays. Ed. Clara M. Kirk and Rudolf Kirk. 1959. Newport (CT): Greenwood, 1977.

Huet, J. B. Traité de l'origine des romans. 1670.

Jacquin, Armand-Pierre. (Abbé). Entretiens sur les romans. 1755.

James, Henry. "The Art of Fiction." Longman's Magazine 4 (1884): 502-21.

_____. "The Art of Fiction." In Walter Besant, The Art of Fiction. Henry James. The Art of Fiction. Boston: Cupples, Upham, and Co., 1885. 49-85.

_____. "The Art of Fiction." Rev. ed. in James, Partial Portraits. 1888.

_____. "The Art of Fiction." In The Writer's Art: By Those Who Have Practiced It. Ed. Rollo Walter Brown. Cambridge (MA): Harvard UP, 1921. 210-31.

_____. "The Art of Fiction." In The Art of Fiction and Other Essays. Ed. Morris Roberts. New York: Oxford UP, 1948.

_____. "The Art of Fiction." Rpt. in Selected Literary Criticism. Ed. Morris Shapira. Cambridge: Cambridge UP.

_____. "The Art of Fiction." In James, Selected Literary Criticism. Ed. Morris Shapira. Harmondsworth: Penguin, 1963.

_____. "The Art of Fiction." In Critical Theory since Plato. Ed. Hazard Adams. San Diego: Harcourt, 1971. 661-670.

_____. "The Art of Fiction." In Essentials of the Theory of Fiction. Ed. Michael J. Hoffman and Patrick D. Murphy. Durham (NC): Duke UP, 1988. 14-23.

_____. "El arte de la ficción." In Stevenson, and James, Crónica de una amistad. Trans. María Cóndor. In Stevenson, Obras completas. Barcelona: RBA, 2005. 4.375-408. (Includes James's "El arte de la ficción", Stevenson's "Una humilde reconvención", letters by James and Stevenson, poems by Stevenson, and Henry James's "Robert Luis Stevenson").

_____. Notes on Novelists. New York, 1914.

_____. The Future of the Novel: Essays on the Art of Fiction. Ed. Leon Edel. New York: Vintage, 1956.

_____. The Art of the Novel. Ed. R. P. Blackmur. 1934. Boston: Northeastern UP, 1984.

_____.The Art of the Novel: Critical Prefaces by Henry James. Ed. R. P. Blackmur. New York: Scribner's, 1934. 1962.

_____. The Art of Criticism: Henry James on the Theory and the Practice of Fiction. Ed. William Veeder and Susan M. Griffin. Chicago: U of Chicago P, 1986.

Johnson, Samuel. "On Fiction." The Rambler 4 (March 31, 1750).

_____. "On Fiction." (Rambler No. 4). In Critical Theory since Plato. Ed. Hazard Adams. San Diego: Harcourt, 1971. 325-327.

_____. Rambler 4. In The Arnold Anthology of British and Irish Literature in English. Ed. Robert Clark and Thomas Healy. London: Hodder Headline-Arnold, 1997. 640-43.

_____. Rambler No. 4 [On Fiction] In The Norton Anthology of English Literature. 7th ed. Ed. M. H. Abrams, Stephen Greenblatt et al. New York: Norton, 1999. 1.2712-15.

Lee, Vernon (Violet Paget). "A Dialogue on Novels." Contemporary Review 48 (1885): 378-401.

_____. "A Dialogue on Novels." 1885. Extract in Victorian Criticism of the Novel. Ed. Edwin M. Eigner and George J. Worth. Cambridge: Cambridge UP, 1985. 223-37.

_____. "On Novels." In Lee, Baldwin: Being Dialogues on Views and Aspirations. 1886. 187-245.

Lenglet-Dufresnoy, Nicolas (Abbé). De l'usage des romans, où l'on fait voir leur utilité et leurs différents caractères. 1734.

Menéndez Pelayo, Marcelino. Orígenes de la novela. 4 vols. Madrid: C.S.I.C., 1943.

Maupassant, Guy de. "The Novel." In The Writer's Art: By Those Who Have Practiced It. Ed. Rollo Walter Brown. Cambridge (MA): Harvard UP, 1921. 193-209.

"The Progress of Fiction as an Art." Westminster Review 4 ns. (1853): 342-74.

Sade, Donatien Alphonse (marquis de). "Idée sur les romans." In Sade, Les Crimes de l'amour. Paris: Massé, 1800.

_____. Idea sobre las novelas. (Cuadernos Anagrama 20). Barcelona: Anagrama.

Scott, Walter. "Methods of Construction." Introd. to The Monastery. 1830. In Sir Walter Scott on Novelists and Fiction. Ed. Ioan Williams. London: Routledge, 1968. 439-46.

_____. "The Most Legitimate Plan." Introd. to St. Ronan's Well, 1832. In Sir Walter Scott on Novelists and Fiction. Ed. Ioan Williams. London: Routledge, 1968. 428-30.

Spielhagen, Friedrich. "Zur Technik des Romans." Westermanns Monatshefte 46 (1879).

_____. Beiträge zur Theorie und Technik des Romans. Leipzig: Staackmann, 1883.

Staël, Anne Louise Germaine de. Essai sur les fictions. 1795.

Stevenson, Robert Louis. "A Humble Remonstrance." Longman's Magazine (December 1884). (Novel; Henry James; Characterisation; Emotion; Mimesis; Artifice)

_____. "A Humble Remonstrance." In The Writer's Art: By Those Who Have Practiced It. Ed. Rollo Walter Brown. Cambridge (MA): Harvard UP, 1921. 232-46.

_____. "Una humilde reconvención." In Stevenson, Obras completas. Barcelona: RBA, 2005. 4.326-34.

_____. "Una humilde reconvención." In Stevenson and James, Crónica de una amistad. Trans. María Cóndor. In Stevenson, Obras completas. Barcelona: RBA, 2005. 4.375-408. (Includes James's "El arte de la ficción", Stevenson's "Una humilde reconvención", letters by James and Stevenson, poems by Stevenson, and Henry James's "Robert Luis Stevenson").

_____. "Charla sobre la novela." In Stevenson, Obras completas. Barcelona: RBA, 2005. 4.316-25.

_____. Essais sur l'art de la fiction. Ed. Michel Le Bris. Paris: La Table Ronde, 1988.

Valera, Juan. Apuntes sobre el nuevo arte de escribir novelas. Madrid, 1934.

Wilson, William. A Little Earnest Book upon a Great Old Subject. Darton and co., 1851. (Fiction).

Zola, Emile. Le roman expérimental. 1880. Paris: Garnier, 1971.

_____. "The Experimental Novel." 1880. In Critical Theory Since Plato. Ed. Hazard Adams. 647-659. Select. and trans. of Le Roman expérimental.

_____. The Experimental Novel and Other Essays. Trans. Bella M. Sherman. New York, 1893.


Anthologies

Barnett, George L., ed. Nineteenth Century British Novelists on the Novel. New York, 1971.

Dowling, David, ed. Novelists on Novelists. London: Macmillan.

Eigner, Edwin M., and George J. Worth, eds. Victorian Criticism of the Novel. Cambridge: Cambridge UP, 1985.

Olmstead, John Charles, ed. A Victorian Art of Fiction: Essays on the Novel in British Periodicals. 3 vols. New York, 1979.


Miscellaneous


Acín, Ramón. Narrativa o consumo literario. Zaragoza: Prensas Universitarias de Zaragoza, 1990.

Adams, Percy. Travel Literature and the Evolution of the Novel. Lexington: U of Kentucky P, 1983.

Alas, Leopoldo ("Clarín"). "El teatro y la novela." In Alas, Mezclilla. 1889. Barcelona: Lumen, 1987. 285-90.

Albaladejo, Tomás. Semántica de la ficción literaria: La ficción realista. Typescript. Universidad de Valladolid, 1986.

Alter, Robert. Partial Magic: The Novel as a Self-Conscious Genre. Berkeley: U of California P, 1975.

Axelrod, Max. The Poetics of Novels: Fiction and Its Execution. Houndmills: Macmillan, 1999. (Austen, Beckett, C. Bronte, Cervantes, Flaubert, Hamsun, Hardy, Lispector, Smart, By Grand Central).

Aucutourier, Michel. "The Theory of the Novel in Russia in the 1930s: Lukács and Bakhtin." In The Russian Novel from Pushkin to Pasternak. Ed. John Garrard. New Haven: Yale UP, 1983. 227-40.

Azim, Firdous. The Colonial Rise of the Novel. London: Routledge, 1993.

Azúa, Félix de. "El género neutro". In Los cuadernos de la gaya ciencia, II: arte y verdad. Barcelona: La Gaya Ciencia, 1975. 21-44.

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Anthologies


Gwynn, R. S., ed. Fiction: A Pocket Anthology. (Penguin Academics). Penguin.



Bibliography


Booth, Bradford. "The Novel." In Contemporary Literary Scholarship. Ed. Lewis Leary. New York: Appleton, 1958. 259-88.

Friedman, Norman. "Anglo-American Fiction Theory 1947-1972." Studies in the Novel 8 (1976): 199-209.

García Landa, José Ángel. A Bibliography of Literary Theory, Criticism, and Philology. (Includes bibliographies on specific areas: English novel, French novel, etc., fictional subgenres, and narratological topics) http://www.unizar.es/departamentos/filologia_inglesa/garciala/bibliography.html


Blogs


English 350: Narrative Theory / Novel Theory (Jay Clayton, Vanderbilt U) http://narrativetheory.wordpress.com/ 2008

On Fiction: An Online Magazine on the Psychology of Fiction. http://www.onfiction.ca/ 2010



Dictionaries and encyclopedias


Schellinger, Paul, gen. ed. Encyclopedia of the Novel. Asst. eds. Christopher Hudson and Marijke Rijsberman. Chicago and London: Fitzroy Dearborn, 1998. In Literature Online. http://lion.chadwyck.co.uk



Internet resources


Poemas y relatos http://www.poemasyrelatos.net 2005-12-27



Journals


Fabula 4 (1984).

International Fiction Review 11.2 (Fredericton, New Brunswick, Summer 1984).


Novel: A Forum on Fiction Box 1984 Brown University Providence, Rhode Island 02912 USA

Studies in the Novel English Department, U of North Texas, Denton Vol. 2 (1970); vol. 26.4 (Winter 1994). In Literature Online.* http://lion.chadwyck.co.uk 5/7/04



Series: Criticism


(Reading the Novel). Series ed. Daniel R. Schwarz. Oxford: Blackwell, 2004-



Series: Novels


(Biblioteca de Grandes Novelas, 5). Buenos Aires: Editorial Claridad, 1944.

(Narrativa Salamandra). Barcelona: Salamandra, c. 2005.

(Panorama de narrativas, 317). Barcelona: Anagrama, c. 1995.


(Sial Narrativa, 14). Madrid: SIAL, 2004.


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