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READING NARRATIVE

General

Abbott, H. Porter. The Cambridge Introduction to Narrative. Cambridge: Cambridge UP, 2002. (Interpreting narr.-narrative negotiation).

Adams, Jon-K. "Narrative Theory and the Executable Text." Journal of Literary Semantics 29.3.

Alsop, Derek. The Practice of Reading: Interpreting the Novel. Houndmills: Macmillan, 1999.

Amerika, Mark. Hypertextual Consciousness. (Narrative and hypertext). Internet hypertextual essay. (February 11, 1997 ) http://www.stg.brown.edu/projects/hypertext/landow/111/htc/title.html

Anderson, R. C., R. E. Reynolds, D. L. Schallert and E. T. Goetz. "Frameworks for Comprehending Stories." American Educational Research Journal 14 (1977): 367-81.

Arp, Thomas R., and Greg Johnson. "Reading the Story" In Perrine's Literature: Structure, Sound, and Sense. 8th ed. Boston (MA): Thomson Learning-Heinle & Heinle, 2002.

Baroni, Raphaël. "Compétences des lecteurs et schèmes séquentiels." Littérature 137 (2005): 111-126.

_____. "Surprise et compétences intertextuelles des lecteurs." In Vox Poetica: http://www.vox-poetica.org

_____. La Tension narrative. (Poétique). Paris, Seuil, forthcoming 2006.

_____. "Incomplétudes stratégiques du discours littéraire et tension dramatique." Littérature 127 (2002): 105-127.

_____. La Tension narrative. (Poétique). Paris: Seuil, 2007.

_____. "The Paradox of Suspense." Poetics 26.2 (1998).

Barthes, Roland. S/Z. Paris: Seuil, 1970.

_____. S/Z. Trans. Richard Miller. Preface by Richard Howard. New York: Hill and Wang, 1974.

_____. S/Z. Trans. Richard Miller. London: Jonathan Cape, 1975.

_____. S/Z. 1970. Oxford: Blackwell, 1990.

_____. S/Z. Trans. Nicolás Rosa. Madrid: Siglo XXI, 1980.

Baym, Nina. Novels, Readers, and Reviewers: Responses to Fiction in Antebellum America.

_____. "The Triumph of the Novel." From Novels, Readers, and Reviewers. In The Novel: An Anthology of Criticism and Theory 1900-2000. Ed. Dorothy J. Hale. Blackwell, 2006. 779-91.

Beaugrande, Robert de, and Genevieve W. Miller. "Processing Models for Children's Story Comprehension." Poetics 9 (1980): 181-200.

Beckett, Sandra L., ed. Transcending Boundaries: Writing for a Dual Audience of Children and Adults. (Children's Literature and Culture). Garland, 1999.

Bell, Michael. "How Primordial Is Narrative?" In Narrative in Culture. Ed. Christopher Nash. London: Routledge, 1990. 172-98.

Bertold, Christian. Fiktion und Vieldeutigkeit: Zur Entstehung moderner Kulturtechniken des Lesens im 18ten Jahrhundert. Tübingen: Niemeyer 1993.

Booth, Wayne C. The Rhetoric of Fiction. Chicago: U of Chicago P, 1961.

_____. The Rhetoric of Fiction. 2nd. ed. Chicago: U of Chicago P, 1983.

_____. The Rhetoric of Fiction. 2nd. ed. Harmondsworth: Penguin, 1987.

_____. La retórica de la ficción. Trans. Santiago Gubern. Barcelona: Bosch, 1974.

Bordwell, David. Narration in the Fiction Film. Madison: U of Wisconsin P, 1985.

Bortolussi, Marisa, and Peter Dixon. "Prolegomena for a Science of Psychonarratology." In New Perspectives on Narrative Perspective. Ed. Willie van Peer and Seymour Chatman. New York: SUNY Press, 2001. 275-87.

_____. Psychonarratology: Foundations for the Empirical Study of Literary Response. New York: Cambridge UP, 2003.

Bower, Gordon. "Experiments on Story Understanding and Recall." Quarterly Journal of Experimental Psychology 28 (1976): 511-34.

Boyer, Alain-Michel. "Le contrat de lecture." In Littérature populaire: peuple, nation, région. Actes du colloque 18-20 mars 1986, "Trames." Limoges: Faculté de Lettres, 1988.

Branigan, Edward. Narrative Comprehension and Film. London: Routledge, 1992.

Brooks, Peter. Reading for the Plot: Design and Intention in Narrative. Oxford: Clarendon Press; New York: Alfred A. Knopf, 1984.

_____. "Narrative Desire." In Narrative Dynamics: Essays on Time, Plot, Closure, and Frames. Ed. Brian Richardson. Columbus: Ohio State UP, 2002. 130-37.

Chamberlain, Daniel Frank. "Narrative Perspective in the Reading Experience." In Chamberlain, Narrative Perspective in Fiction. Toronto: U of Toronto P, 1990. 161-4.

Chatman, Seymour. "Introduction: The Pleasures of Reading Fiction." In Chatman, Reading Narrative Fiction. New York: Macmillan, 1993. 1-6.

_____. Reading Narrative Fiction. With material by Brian Attebery. New York: Macmillan, 1993.* (Short stories: anthology and analysis).

_____. "Authors and Readers: Real and Implied." In Chatman, Reading Narrative Fiction. New York: Macmillan, 1993. 240-72. (The Real Author; the Implied Author; The Implied Author Is Not the Narrator; Problems Solved by the Notion of Implied Author; The Real Jack London and Two Different Implied 'Jack Londons'; The Real Reader and the Implied Reader; The Implied Reader Is Not the Narratee).

Cockcroft, Robert. "Seeing the Sea: Deixis and the Perceptions of Melville's Reader." In The Writer's Craft, the Culture's Technology. Ed. Carmen Rosa Caldas-Coulthard and Michael Toolan. (PALA Papers, 1). Amsterdam and New York: Rodopi, 2005.

Compagnon, Antoine. "Le lecteur." In Compagnon, Le démon de la théorie: Littérature et sens commun. Paris: Seuil, 1998. 2000. 147-76.* (genre, resistance, implied reader, open works).

Cornis-Pope, Marcel. Hermeneutic Desire and Critical Rewriting: Narrative Interpretation in the Wake of Poststructuralism. London: Macmillan; New York: St. Martin's, 1992.

Couturier, Maurice. Textual Communication: A Print-Based Theory of the Novel. London: Routledge, 1991.

D'Sonza, Dinesh. "Response." Narrative 2. 3 (1994): 268-269.

de Beaugrande, Robert, and G. W. Miller. "Processing Models for Children's Story Comprehension." Poetics 9 (1980): 181-200.

de Lauretis, Teresa. "Desire in Narrative." Selection. In Narratology: An Introduction. Ed. Susana Onega and José Angel García Landa. London: Longman, 1996. 262-72.

Dennerlein, Katrin. "5. Das mentale Modell des Raumes." In Dennerlein, Narratologie des Raumes. (Narratologia, 22). Berlin and New York: De Gruyter, 2009. 991-14.

Dijk, T. A. van, and W. Kintsch. "Cognitive Psychology and Discourse: Recalling and Summarizing Stories." In Current Trends in Text Linguistics. Ed. W. U. Dressler. Berlin: De Gruyter, 1978. 61-80.

Dipple, Elizabeth. "A Novel Which Is a Machine for Generating Interpretations." In Metafiction. Ed. Mark Currie. London: Longman, 1995. 221-45.

Dolezel, Lubomír. Heterocosmica: Fiction and Possible Worlds. (Parallax: Re-Visions of Culture and Society). Baltimore: Johns Hopkins UP, 1998. (Kafka, fictionality, action, narrative levels, reference, reading narrative, context, intention, literary pragmatics).

Dollerup, Cay. "Concepts of 'Tension', 'Intensity' and 'Suspense' in Short Story Theory." Orbis Litterarum: International Review of Literary Studies. (Copenhagen) 25.

Douglas, J. Yellowlees. "Print Pathways and Interactive Labyrinths: How Hypertext Narratives Affect the Act of Reading." Ph.D. diss. New York U, 1992.

_____. Print Pathways and Interactive Labyrinths: How Hypertext Narratives Affect the Act of Reading. Baltimore: Johns Hopkins UP, forthcoming 1994.

_____. "Understanding the Act of Reading: The WOE Beginner's Guide to Dissection." Writing on the Edge 2.2 (1991): 112-25.

Eco, Umberto. The Role of the Reader: Explorations in the Semiotics of Texts. Bloomington: Indiana UP, 1979.

_____. The Role of the Reader: Explorations in the Semantics of Texts. London: Hutchinson, 1983.

_____. Lector in fabula. Milano: Bompiani, 1979.

_____. Lector in Fabula. Paris: Grasset, 1985.

_____. Lector in Fabula - Le Rôle du lecteur.Paris: Le Livre de Poche.

_____. Lector in fabula. (Palabra en el Tiempo, 142). Barcelona: Lumen, 1981.

_____. Six Walks in the Fictional Woods. (Harvard University Norton Lectures, 1992-1993). Cambridge (MA): Harvard UP, 1994. (On fictionality; embedding; Nerval; the Protocols of Sion, Racovsky).

_____. Seis paseos por los bosques narrativos: Harvard University, Norton Lectures 1992-1993. Trans. Helena Lozano Miralles. (Palabra en el Tiempo, 241). Barcelona: Lumen, 1996.

_____. Six Promenades dans les bois du roman et d'ailleurs. Paris: Grasset, 1996.

Eder, Jens. "Narratology and Cognitive Reception Theories." In What Is Narratology? Questions and Answers Regarding the Status of a Theory. Ed. Tom Kindt and Hans-Harald Müller. (Narratologia, 1). Berlin and New York: De Gruyter, 2003. 277-301.

Emmott, Catherine. Narrative Comprehension: A Discourse Perspective. Oxford: Clarendon Press, 1997.

Farmer, Frank M. "Not Theory… But a Sense of Theory: the Superaddressee and the Contexts of Eden." In Mikhail Bakhtin. Ed. Michael E. Gardiner. London: SAGE, 2002. Vol. 2.

Fowler, Roger. "The Referential code and narrative authority." In Fowler, Literature as Social Discourse: The Practice of Linguistic Criticism. Bloomington: Indiana UP, 1981. 96-128.

Friedman, Susan Stanford. "Spatialization: A Strategy for Reading Narrative." Narrative 1.1 (1993): 12-23.

_____. "Spatialization: A Strategy for Reading Narrative." In Narrative Dynamics: Essays on Time, Plot, Closure, and Frames. Ed. Brian Richardson. Columbus: Ohio State UP, 2002. 217-28.

Fulda, Daniel. "'Selective' History: Why and How 'History' Depends on Readerly Narrativization, with the Wehrmacht Exhibition as an Example." In Narratology beyond Literary Criticism: Mediality-Disciplinarity. Ed. Jan Christoph Meister with Tom Kindt and Wilhelm Schernus. Berlin and New York: Walter de Gruyter, 2005. 173-94.

García Landa, José Angel. Reading 'The Monster': The Interpretation of Authorial Intention in the Criticism of Narrative Fiction. (M. A. diss. Brown U, 1989). Ann Arbor: UMI, 1997.

_____. "Concretización de la acción en la lectura." In García Landa, Acción, Relato, Discurso: Estructura de la ficción narrativa. Salamanca: Ediciones Universidad de Salamanca, 1998. 106-13.

_____. "Autor textual, obra, lector textual." Section 3.3. of García Landa, Acción, Relato, Discurso: Estructura de la ficción narrativa. Online ed. 2009. http://www.unizar.es/departamentos/filologia_inglesa/garciala/publicaciones/ard/3.3.Discurso.html 2009

_____. "El lector textual." In García Landa, Acción, Relato, Discurso: Estructura de la ficción narrativa. Salamanca: Ediciones Universidad de Salamanca, 1998. 415-26. (Concepto - Lector textual, lector proyectado, lector histórico, lector ideal, lector… ¿pero es que existen todos? – La competencia literaria).

_____. "Autor y lector." Section 3.4. of García Landa, Acción, Relato, Discurso: Estructura de la ficción narrativa. Salamanca: Ediciones Universidad de Salamanca, 1998. 427-68.

_____. "Autor y lector." Section 3.4. of García Landa, Acción, Relato, Discurso: Estructura de la ficción narrativa. Online ed. 2009. http://www.unizar.es/departamentos/filologia_inglesa/garciala/publicaciones/ard/3.4.Discurso.html 2009

_____. "El lector." In García Landa, Acción, Relato, Discurso: Estructura de la ficción narrativa. Salamanca: Ediciones Universidad de Salamanca, 1998. 443-64. (El lector real frente al lector textual. La competencia modal del lector. el proceso de recepción. La influencia de la obra sobre el lector. El crítico).

_____. "El proceso de recepción." In García Landa, Acción, Relato, Discurso: Estructura de la ficción narrativa. Salamanca: Ediciones Universidad de Salamanca, 1998. 447-53.

_____. "The Poetics of Subliminal Awareness: Re-reading Intention and Narrative Structure in Nabokov's 'Christmas Story'." EJES (forthcoming 2004).

_____. "Overhearing Narrative." Paper read at the VI Conference of the European Society for the Study of English (ESSE), "Narratology" panel (Strasbourg, Aug. 30 –Sept 2, 2002).

_____. "Overhearing Narrative." In The Dynamics of Narrative Form: Studies in Anglo-American Narratology. Ed. John Pier. (Narratologia: Contributions to Narrative Theory / Beiträge zur Erzähltheorie, 4). Berlin and New York: Walter de Gruyter, 2004.

191-214.

http://www.degruyter.com/rs/bookSingle.cfm?id=IS-3110183145-1&fg=LI&l=E

_____. "Overhearing Narrative." In The Dynamics of Narrative Form. (Google Preview Wizard). In García Landa, Vanity Fea 15 Oct. 2008. http://garciala.blogia.com/2008/101501-the-dynamics-of-narrative-form.php 2008

_____. "The Poetics of Subliminal Awareness: Re-reading Intention and Narrative Structure in Nabokov's 'Christmas Story'." European Journal of English Studies 8.1 (2004): 27-48. (Special issue, "Beyond Narratology," ed. Roy Sommer). http://taylorandfrancis.metapress.com/app/home/journal.asp?wasp=07wlulvtxq4rf4uqva6q&referrer=parent&backto=linkingpublicationresults,1:105319,1

_____. "Rereading(,) Narrative(,) Identity(,) and Interaction." Paper read at the conference on "Identity and Diversity: Philosophical/Philological Reflections." Madrid: UNED, Oct. 9-10, 2003.

_____. "Rereading(,) Narrative(,) Identity(,) and Interaction." In Interculturalism: Between Identity and Diversity. Ed. Beatriz Penas Ibáñez and Mª Carmen López Sáenz. Bern: Peter Lang, 2006. 207-26.

_____. "Rereading(,) Narrative(,) Identity(,) and Interaction." Online edition. 2006. http://www.unizar.es/departamentos/filologia_inglesa/garciala/publicaciones/commintern.html 2006-08-10

_____. "Narración, Identidad, Interacción—Relectura". Online edition. 2006. http://www.unizar.es/departamentos/filologia_inglesa/garciala/publicaciones/comminternesp.html 2006-08-10

_____. "Narración, Identidad, Interacción: Relectura." In Paradojas de la interculturalidad: Filosofía, lenguaje y discurso. Ed. Mª Carmen López Sáenz and Beatriz Penas Ibáñez. (Razón y sociedad). Madrid: Biblioteca Nueva, 2008. 183-202.

_____. "Multiple implied readers / Múltiples lectores implícitos." Online PDF at Social Science Research Network 4 June 2009. http://ssrn.com/abstract=1414174 2009

Gerrig, Richard J. Experiencing Narrative Worlds: On the Psychological Activities of Reading. New Haven: Yale UP, 1993.

Gibson, Andrew. Reading Narrative Discourse: Studies in the Novel from Cervantes to Beckett. London: Macmillan, 1989.

Gibson, Walker. "Authors, Speakers, Readers, and Mock Readers." College English 11 (1950): 265-269.

_____. "Authors, Speakers, Readers, and Mock Readers." In Reader-Response Criticism. Ed. Jane P. Tompkins. Baltimore: Johns Hopkins UP, 1980. 1-6.

_____. "Authors, Speakers, Readers, and Mock Readers." Selection. In Narratology: An Introduction. Ed. Susana Onega and José Angel García Landa. London: Longman, 1996. 155-60.

Graesser, Arthur C., Cheryl Bowers, Ute J. Bayen and Xiangen Hu. (Essay on readers' construction of characters' speech and knowledge in narrative). In New Perspectives on Narrative Perspective. Ed. Willie van Peer and Seymour Chatman. New York: SUNY Press, 2001.

Green, Melanie C., and Timothy C. Brock. "Persuasiveness of Narratives." Ch. 6 of Persuasion: Psychological Insights and Perspectives. Ed. Timothy C. Brock and Melanie C. Green. Thousand Oaks, London, New Delhi: Sage, 2005. 117-42.

Grivel, Charles. Production de l'intérêt romanesque. The Hague: Mouton, 1973.

Gunn, James, Marleen Barr and Matthew Candelaria. Reading Science Fiction. Macmillan-Palgrave, 2008.

Hernando Manzanares, Rosario. "Cómo, qué y por qué entendemos al leer: Salinger y su Pretty Mouth and Green My Eyes." In Semántica de la ficción: Una aproximación al estudio de la narrativa. Ed. Pedro Santana Martínez. Logroño: Universidad de La Rioja, Servicio de Publicaciones, 1997. 141-60.

Horvath, Tim. "First Do Not Bore: Earning and Sustaining Attention in Contemporary Literary Fiction." The Evolutionary Review 1 (2010): 88-96.

Hughes, George. Reading Novels. Nashville (TN): Vanderbilt UP, 2002.

Iser, Wolfgang. "The Reader as a Component Part of the Realistic Novel: Esthetic Effects in Thackeray's Vanity Fair." In Iser, The Implied Reader. Baltimore: Johns Hopkins UP, 1974. 101-20.

_____. "Doing Things in Style: An Interpretation of 'The Oxen of the Sun' in James Joyce's Ulysses." In Iser, The Implied Reader. Baltimore: Johns Hopkins UP, 1974. 179-95.

_____. "Patterns of Communication in Joyce's Ulysses." In Iser, The Implied Reader: Patterns of Communication in Prose Fiction from Bunyan to Beckett. Baltimore: Johns Hopkins UP, 1974.196-33.

_____. Der Implizite Leser: Kommunikationsformen des Romans von Bunyan bis Beckett. Munich: Fink, 1972.

_____. The Implied Reader: Patterns of Communication in Prose Fiction from Bunyan to Beckett. Baltimore: Johns Hopkins UP, 1974.

_____. "The Reader as a Component Part of the Realistic Novel." From Iser, The Implied Reader. In The Novel: An Anthology of Criticism and Theory 1900-2000. Ed. Dorothy J. Hale. Blackwell, 2006. 763-78.

_____. "Die Appellstruktur der Texte." In R. Warning 1975. 228-52.

_____. "Indeterminacy and the Reader's Response in Prose Fiction." In Aspects of Narrative. Ed. J. Hillis Miller. New York: Columbia UP, 1971. 1-45. Trans. of "Die Appellstruktur der Texte."

_____. "Indeterminacy and the Reader's Response." Select. in Twentieth-Century Literary Theory. Ed. K. M. Newton. London: Macmillan, 1988. 226-30.

_____. "Indeterminacy and the Reader's Response in Prose Fiction." Prospecting: From Reader Response to Literary Anthropology. Baltimore: Johns Hopkins UP, 1989. Pbk. 1993. 3-30.

_____. "Ulysses and the Reader." In Iser, Prospecting: From Reader Response to Literary Anthropology. Baltimore: Johns Hopkins UP, 1989. Pbk. 1993. 131-39.

_____. "The Reality of Fiction: A Functionalistic Approach to Literature." New Literary History 7.1 (1975): 7-38.

_____. Der Akt des Lesens: Theorie ästhetischer Wirkung Munich: Fink, 1976.

_____. The Act of Reading: A Theory of Aesthetic Response. Baltimore: Johns Hopkins UP, 1978. 1980.

_____. The Act of Reading. London: Routledge, 1978.

_____. L'Acte de lecture. Trans. Évelyne Szyncer. Bruxelles: Pierre Mardaga, 1985.

_____. El acto de leer: teoría del efecto estético. Trans. J. A. Gimbernat. Madrid: Taurus, 1987.

Jahn, Manfred. "Frames, Preferences, and the Reading of Third-Person Narratives: Towards a Cognitive Narratology." Poetics Today 18.4 (1997): 441-68.

_____. "'Speak, Friend, and Enter': Garden Paths, Artificial Intelligence, and Cognitive Narratology." In Narratologies. Ed. David Herman. Columbus: Ohio State UP, 1999. 167-94.

James, P. D. "7. Critics and Aficionados: Why Some Don't Enjoy Them and Why Others Do." In James, Talking about Detective Fiction. Oxford: Bodleian Library, 2009. 131-42.

Kafalenos, Emma. "Reading Visual Art, Making—and Forgetting—Fabulas." Narrative 9.2 (2001): 138-45.

Kermode, Frank. The Genesis of Secrecy: On the Interpretation of Narrative. Cambridge (MA): Harvard UP, 1979.

Kim, Sue J. "Narrator, Author, Reader: Equivocation in Theresa Hak Kyung Cha's Dictee." Narrative 16.2 (May 2008): 163-77.

Kinstch, Walter. "On Comprehending Stories." In Cognitive Processes in Comprehension. Ed. Marcel Adam Just and Patricia A. Carpenter. Hillsdale (NY): Erlbaum, 1977. 33-62.

Kintsch, Walter, and T. A. van Dijk. "Cognitive Psychology and Discourse: Recalling and Summarizing Stories." In Current Trends in Text Linguistics. Ed. W. U. Dressler. Berlin: De Gruyter, 1978. 61-80.

_____. "Comment on se rappelle et on résume des histoires". Languages 40 (1975): 98-116.

_____. "Toward a Model of Text Comprehension and Production". Psychological Review 85 (1978): 363-94.

_____. Strategies of Discourse Comprehension. New York: Academic Press, 1983.

Langellier, Kristin. "A Phenomenology of Narrative in Performance." In Phenomenology in Rhetoric and Communication. Ed. Stanley Deetz. Washington, D.C.: UP of America for the Center for Advanced Research in Phenomenology, 1981. 83-90.

Il lettore: modelli, processi ed effeti dell'interpretazione. Special issue of VS 52/53 (1989).

Mailloux, Steven. "The Use and Abuse of Fiction: Readers Eating Books." In Mailloux, Reception Histories: Rhetoric, Pragmatism, and American Cultural Politics. Ithaca (NY): Cornell UP, 1998. 128-48.

Mancuso, James C. "The Acquisition and use of Narrative Grammar Structure." In Narrative Psychology: The Storied Nature of Human Conduct. Ed. Theodore R. Sarbin. New York: Praeger, 1986.

Mandler, Jean Mater. Stories, Scripts, and Scenes: Aspects of Schema Theory. Hillsdale: Erlbaum, 1984.

_____. "On the Psychological Reality of Story Structure." Discourse Processes 10 (January-March 1987): 1-29.

Marin, Louis. Le récit est un piège. Paris: Minuit.

Martinez, Matias. Doppelte Welten: Struktur und Sinn zwideutigen Erzählens. Göttingen: Vandenhoeck und Ruprecht, 1996.

Miall, David S. "Text and Affect: A Model of Story Understanding." In Rereading the Short Story. Ed. Clare Hanson. Houndmills: Macmillan, 1989. 10-21.

Miller, Hugh "Micronarrative and Interaction: How Can We Build a Satisfying Story out of a String of Anecdotes?" Meno: Multimedia, Education and Narrative Organisation. http://meno.open.ac.uk/Miller.html

Miller, J. Hillis. Reading Narrative. (Oklahoma Project for Discourse and Theory). Norman: U of Oklahoma P, 1998.

_____. "Coda." In Miller, Reading Narrative. Norman: U of Oklahoma P, 1998. 227-31.

Morson, Gary Saul. Narrative and Freedom: The Shadows of Time. New Haven: Yale UP, 1994.

Nelles, William. "1. Historical and Implied Authors and Readers." In Nelles, Frameworks. New York: Peter Lang, 1997. 9-44.

O'Brian, Paul. "Interactive Fiction and Reader-Response Criticism." http://ucsu.colorado.edu/~obrian/ifrrc.txt

Pearse, James A. "Beyond the Narrational Frame: Interpretation and Metafiction." Quarterly Journal of Speech 66 (1980): 73-84.

Peel, Ellen. Politics, Persuasion, and Pragmatism: A Rhetoric of Feminist Utopian Fiction. Columbus: Ohio State UP, 2002.

Pennac, Daniel. Comme un roman. Essay. 1992. (On reading).

_____. Como una novela. Barcelona, 1993.

Petitat, André, and Raphaël Baroni. "Récits et ouverture des virtualités. La matrice du contrat.." Vox Poetica. http://www.vox-poetica.org 2005-05-12

Phelan, James. Reading People, Reading Plots: Character, Progression, and the Interpretation of Narrative. Chicago: U of Chicago P, 1979. 1989.

_____. "Reading for the Character and Reading for the Progression: John Wemmick and Great Expectations." The Journal of Narrative Technique 19.1 (1989): 70-84.

_____. "Character and Judgment in Narrative and Lyric: Toward an Understanding of Audience Engagement in The Waves." In Phelan, Narrative as Rhetoric: Technique, Audiences, Ethics, Ideology. Columbus (OH): Ohio State UP, 1996. 27-42.

_____. Narrative as Rhetoric: Technique, Audiences, Ethics, Ideology. Columbus (OH): Ohio State UP, 1996.

_____. Narrative as Rhetoric: Technique, Audiences, Ethics, Ideology. Ohio State UP online open access: http://www.ohiostatepress.org/Books/Complete%20PDFs/Phelan%20Narrative/Phelan%20Narrative.htm 2007-07-04

_____, ed. Reading Narrative: Form, Ethics, Ideology. Columbus (OH): Ohio State UP, 1989.

Phelan, James, and Peter J. Rabinowitz, eds. Understanding Narrative. Columbus (OH): Ohio State UP, 1994.

Pleh, Csaba. "On Formal- and Content-Based Models of Story Memory." In Literary Discourse: Aspects of Cognitive and Social Psychological Approaches. Ed. Laszlo Halasz. New York: Walter de Gruyter, 1987.

Popova, Yanna. "The Figure in the Carpet: Discovery or Re-Cognition." In Cognitive Stylistics. Ed. Elena Semino and Jonathan Culpeper. Amsterdam: Benjamins, 2002. 49-72.

Prieto Pablos, Juan Antonio. "Suspense y comunicación literaria: Los placeres del texto." Discurso 9.10 (1996): 79-105.

Prince, Gerald. "Notes toward a Characterization of Fictional Narratees." Genre 4.1 (1971): 100-106.

_____. "On Readers and Listeners in Narrative." Neophilologus 55 (1971): 117-22.

_____. "Introduction à l'étude du narrataire." Poétique 14 (1973): 178-196.

_____. "Introduction to the Study of the Narratee." 1973. In Reader-Response Criticism. Ed. Jane P. Tompkins. Baltimore: Johns Hopkins UP, 1980. 7-25.

_____. "Reader." In Handbook of Narratology. Ed. Peter Hühn et al. Berlin and New York: Walter de Gruyter, 2009. 398-410.

Pugliatti, Paola. "Readers' Stories Revisited." In Il lettore: modelli, processi ed effeti dell'interpretazione. Special issue of VS 52/53 (1989).

Rabatel, Alain. Argumenter en racontant: (Re)lire et (ré)écrire les textes littéraires. Bruxelles: De Boeck, 2004.

_____, ed. Lire, écrire le point de vue: Une introduction à la lecture littéraire. Lyon: CRDP de Lyon / IUFM de Lyon / Scérén, 2002.

Rabinowitz, Peter J. "Truth in Fiction: A Reexamination of Audiences." Critical Inquiry 4 (1977): 121-41.

_____. Before Reading: Narrative Conventions and the Politics of Interpretation. Ithaca: Cornell UP, 1987.

_____. "Betraying the Sender: The Rhetoric and Ethics of Fragile Texts." Narrative 2 (1994): 201-13.

Rabinowitz, Peter J., and Michael Smith. Authorizing Readers. 1998.

Rader, Ralph W. "Fact, Theory, and Literary Explanation." Critical Inquiry 1 (December 1974): 245-72.

Rabkin, Eric S. Narrative Suspense: 'When Slim Turned Sideways...' U of Michigan P, 1973.

Radway, Janice. "The Readers and Their Romances." From Reading the Romance. 1984. In Feminisms. Ed. Robyn R. Warhol and Diane Price Herndl. Houndmills: Macmillan, n. d. 574-608.

_____. "Interpretive Communities and Variable Literacies: The Functions of Romance Reading." In Rethinking Popular Culture: Contemporary Perspectives in Cultural Studies. Berkeley: U of California P, 1991.

Rastier, François. "Les niveaux d'ambiguité des structures narratives." (Molière, Don Juan). Semiotica 3.4 (1971). The Hague: Mouton.

Richardson, Brian. Unlikely Stories: Causality, Ideology, and Interpretation in Modern Narrative. Newark (NJ): U of Delaware Press, 1997.

_____. "Construing Conrad's 'The Secret Sharer': Suppressed Narratives, Subaltern Reception, and the Act of Interpretation." Studies in the Novel 33 (2001): 306-21.

_____. Unnatural Voices: Extreme Narration in Modern and Contemporary Fiction. (Theory and Interpretation of Narrative series). Ohio State UP, 2006.

_____. Modernism, the Reader, and the Other: Dramas of Misreading. Forthcoming 2008. (Chapters on misreading in Conrad, Joyce, Ford and Mansfield, Woolf, Nabokov, and Ellison).

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Series

(Reading the Novel). Series ed. Daniel R. Schwarz. Oxford: Blackwell, 2004-

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