Metafiction

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== Bibliography on Reflexive Narrative and Metafiction ==


Adams, Martin. Afterjoyce: Studies in Fiction after Ulysses. New York: Oxford UP, 1977.

Adorno, Theodor W. "La situation du narrateur dans le roman contemporain." In Adorno, Notes sur la littérature. Trans. Sibylle Muller. Paris: Flammarion, 1984. 37-44.

Aguirre, Manuel. "Some Commonsense Notions on Postmodernist Fiction." In Stvdia Patriciae Shaw oblata. Oviedo: Servicio de Publicaciones de la Universidad de Oviedo, 1991. 3.3-13.

Albérès, René Marie. Métamorphoses du roman. Paris: Albin Michel, 1966.

_____. Metamorfosis de la novela. Madrid: Taurus, 1971.

Alexander, Marguerite. Flights from Realism: Themes and Strategies in Postmodern British and American Fiction. London: Arnold, 1990.

Altenberg, Tilmann. "Metadiégesis y pseudodiégesis en la narrativa de Juan Valera." In La narración paradójica. Ed. Nina Grabe et al. Madrid: Iberoamericana; Frankfurt a/M: Vervuert Verlag, 2006. 155-69.

Alter, Robert. Partial Magic: The Novel as a Self-Conscious Genre. Berkeley: U of California P, 1975. 1978.

Arizti Martín, Bárbara. "Metafiction in CHANGING PLACES." Trabajo de investigación de Tercer Ciclo. Universidad de Zaragoza, 1994.

Astier, Pierre. Encyclopédie du Nouveau Roman. Paris: Debresse, 1968.

Baquero Goyanes, Mariano. Estructuras de la novela actual. 1975. Madrid: Castalia, 1989.

Barnes, Hazel E. "Modes of Aesthetic Consciousness in Fiction." Bucknell Review 12 (March 1964): 82-93.

Barth, John. "The Literature of Exhaustion". The Atlantic Monthly (August 1967): 29-34.

_____. "The Literature of Exhaustion." In The American Novel since World War II. Ed. Marcus Klein. New York: Fawcett World Library, 1969. 267-79.

_____. "The Literature of Exhaustion". In Surfiction. Ed. Raymond Federman.- Chicago: Swallow, 1975.

_____. "The Literature of Replenishment". The Atlantic Monthly (January 1980): 65-71.

_____. "La literatura de la plenitud: la novela postmodernista." In La novela postmodernista norteamericana: Nuevas tendencias narrativas. Ed. J. Coy Ferrer and Enrique García Díez. Madrid: SGEL, 1986.

Barthes, Roland. S/Z. Paris: Seuil, 1970.

_____. S/Z. Trans. Richard Miller. New York: Hill and Wang, 1974.

_____. S/Z. Trans. Richard Miller. London: Jonathan Cape, 1975.

_____. S/Z. 1970. Oxford: Blackwell, 1990.

_____. S/Z. Trans. Nicolás Rosa. Madrid: Siglo XXI, 1980.

Beebe, Maurice. "Reflective and Reflexive Trends in Modern Fiction." Bucknell Review 22.2 (1976): 13-26.

Bellamy, Joe David. The New Fiction: Interviews with Innovative American Writers. Urbana, 1974.

_____. Superfiction: Or the American Story Transformed. New York, 1975.

Bene, Adrián, et alii, trans., Narratívák 6: Narratív beágyazás és reflexivitás. Budapest: Kijárat Kiadó, 2009.

Bertens, Hans. "Postmodern Characterization and the Intrusion of Language." In Exploring Postmodernism. Ed. Mateo Calinescu and Douwe Fokkema. Amsterdam: Benjamins, 1987. 139-59.

Bishop, Lloyd. "Romantic Irony and the Novel: Friedrich von Schlegel and Mikhail Bakhtin." In Bishop, Romantic Irony in French Literature. Nashville: Vanderbilt UP, 1991. 205-8.

Bloch-Michel, J. Le Présent de l'indicatif. Paris: Gallimard, 1963.

_____. La 'nueva novela'. Barcelona: Guadarrama.

Boisdeffre, Pierre de. La cafetière est sur la table: Contre le 'nouveau roman'. Paris: La Table Ronde, 1967.

Booth, Wayne C. "The Self-Conscious Narrator in Comic Fiction Before Tristram Shandy." PMLA 67 (March 1952): 163-85.

Borges, Jorge Luis. "Nathaniel Hawtorne." 1949. In Borges, Nueva antología personal. Barcelona: Bruguera, 1982. 213-38. (Reflexivity)

_____. Otras inquisiciones. 1960. Madrid: Alianza, 1985.

Boyd, Michael. The Reflexive Novel: Fiction as Critique. Lewisburg: Bucknell UP, 1983.

Bradbury, Malcolm. The Modern American Novel. 1983. Oxford: Oxford UP, 1992.

_____. "Closer to Chaos: American Fiction in the 1980s." TLS 22 may 1992: 17-18.

_____. The Modern British Novel. London: Secker, 1993.

_____, ed. The Novel Today: Contemporary Writers on Modern Fiction. Glasgow: Fontana, 1977. Rev. ed. 1990.

Brooke-Rose, Christine. A Rhetoric of the Unreal: Studies in Narrative and Structure, Especially of the Fantastic. Cambridge: Cambridge UP, 1981.

_____. "Is Self-Reflexivity Mere?" Quarterly West (U of Utah, Dec. 1996).

Burden, Robert. "The Novel Interrogates Itself." In The Contemporary English Novel. Ed. Malcolm Bradbury and David Palmer. London: Arnold, 1979. 1986. 133-57.

Butler, Christopher. After the Wake: An Essay on the Contemporary Avant-Garde. Oxford: Oxford UP, 1980.

Butor, Michel. "Le roman comme recherche." 1960. In Butor, Essais sur le roman. Paris: Gallimard, 1992. 7-14.

_____. "The Novel as Research." 1970. In The Novel Today; Contemporary Writers on Modern Fiction. Ed. Malcolm Bradbury. 1977. New ed. London: Fontana, 1990. 45-52.

_____. Essais sur le roman. 1970. Paris: Gallimard, 1992.

Calvino, Italo. The Literature Machine. London, 1987.

Caramello, Charles. Silverless Mirrors: Book, Self, and Postmodern American Fiction. Tallahassee, 1983.

Carroll, David. The Subject in Question: The Languages of Theory and the Strategies of Fiction. Chicago: U of Chicago P, 1982.

Castagnino, Raúl. "Cuento-Artefacto" y artificios del cuento. Buenos Aires: Nova, 1977.

Cazzato, Luigi. "Hard Metafiction and the Return of the Author Subject: The Decline of Postmodernism?" In Postmodern Subjects / Postmodern Texts. Ed. Jane Dowson and Steven Earnshaw. Amsterdam: Rodopi, 1995. 25-41.

Chambers, Ross. Story and Situation: Narrative Seduction and the Power of Fiction. Manchester UP, 1984.

Christensen, Inger. The Meaning of Metafiction: A Critical Study of Selected Novels by Sterne, Nabokov, Barth and Beckett. Bergen: Universitetsforlaget, 1981.

Collado, Francisco. "History and Metafiction: V.' s Impossible Cognitive Quest." Atlantis 15 (1993): 61-78. Connor, Steven. Samuel Beckett: Repetition, Theory and Text. Oxford: Blackwell, 1988.

Conrad, Peter. Shandyism: The Character of Romantic Irony. Oxford: Blackwell, 1978.

Cornwell, Neil. The Literary Fantastic: From Gothic to Postmodernism. Hemel Hempstead: Harvester Wheatsheaf, 1990.

Cortázar, Julio. Teoría del túnel. 1947. In Cortázar, Obra crítica I. Ed. Saúl Yurkievich. Madrid: Alfaguara, 1994.

Currie, Mark, ed. Metafiction. (Longman Critical Readers). London: Longman, 1995.

Dällenbach, Lucien. Le Livre et ses Miroirs dans l'œuvre romanesque de Michel Butor. Paris: Minard, 1972.

_____. Le Récit spéculaire: Essai sur la mise en abyme. Paris: Seuil, 1977.

_____. The Mirror in the Text. Trans. Jeremy Whiteley and Emma Hughes. Oxford: Polity Press/Blackwell, 1989.

_____. El relato especular. Trans. Ramón Buenaventura. Madrid: Visor, 1977.

de Man, Paul. Allegories of Reading: Figural Language in Rousseau, Nietzsche, Rilke, and Proust. New Haven: Yale UP, 1979.

Dearlove, Judith E. Accomodating the Chaos: Samuel Beckett's Nonrelational Art. Durham (NC): Duke UP, 1982.* D'haen, Theo. Text to Reader: Fowles, Barth, Cortázar and Boon. Amsterdam: Benjamins, 1983.

D'haen, Theo, and Hans Bertens, eds. Postmodern Fiction in Europe and the Americas. Amsterdam: Rodopi, 1988.

_____, eds. History and Post-War Writing. Amsterdam: Rodopi, 1990.

_____, eds. Postmodern Fiction in Canada. Amsterdam: Rodopi, 1992.

_____, eds. British Postmodern Fiction. Amsterdam: Rodopi, 1993.

Díaz, María Eugenia. "La novela postmodernista norteamericana: una aproximación general." Atlantis 9 (1987): 83-94.

Dickinson, Morris. "Fiction Hot and Kool: Dilemmas of the Experimental Writer." Tri Quarterly 33 (1975).

Dipple, Elizabeth. "A Novel Which Is a Machine for Generating Interpretations." In Metafiction. Ed. Mark Currie. London: Longman, 1995. 221-45.

Ditsky, John. "The Man on the Quaker Oats Box: Characteristics of Recent Experimental Fiction." Georgia Review 26 (1972): 297-313.

Docherty, Thomas. "Postmodern Characterization: The Ethics of Alterity." In Postmodernism and Contemporary Fiction. Ed. Edmund J. Smyth. London: Batsford, 1991. 169-88.

Dotrás, Ana Mª. La novela española de metaficción. Madrid: Júcar, 1994.

Duffy, Maureen. "New Trends in British Fiction." In Actas del XII Congreso Nacional de la Asociación Española de Estudios Anglo-Norteamericanos. Alicante: AEDEAN, 1991. 69-72.

Duperray, M., ed. Historicité et métafiction dans le roman contemporain des Iles britanniques. 1994.

Eco, Umberto. Obra abierta. Barcelona: Planeta, 1984. Trans. of Opera aperta. Milano: Bompiani, 1962.

_____. "Postmodernism, Irony, The Enjoyable." Select. from Reflections on The Name of the Rose. Trans. William Weaver. London: Secker, 1985. 65-72. In Modernism/Postmodernism. Ed. Peter Brooker. London: Longman, 1992. 225-8.

_____. "From Reflections on The Name of the Rose." In Metafiction. Ed. Mark Currie. London: Longman, 1995. 172-80.

_____. Faith in Fakes. USA, 1986. Published in Britain as Travels in Hyperreality. Trans. William Weaver. London: Picador, 1987.

Egebak, Niels. L'écriture de Samuel Beckett. København: Akademisk Forlag, 1973.

Elam, Diane. "Postmodern Romance." In Postmodernism Across the Ages. Ed. Bill Readings and Bennet Schaber. Syracuse (NY): Syracuse UP, 1992. New version in Elam, Romancing the Postmodern.

_____. Romancing the Postmodern. London: Routledge, 1992.

Elias, Amy J. "Meta-mimesis? The Problem of British Postmodern Realism." In British Postmodern Fiction. Ed. Theo D'haen and Hans Bertens. Amsterdam: Rodopi, 1993. 9-31.

Elliott, Emory, et al., eds. The Columbia History of the American Novel. New York: Columbia UP, 1991.

Engler, Bernd. "The Cultural Dynamics of Metafictional Discourse in Early American Literature: A Response to Jürgen Wolter." Connotations 5.1 (1995-96): 95-107.

Engler, Bernd, and Kurt Müller, eds. Historiographic Metafiction in Modern American and Canadian Literature. Paderborn: Schöningh, 1994.

Ermath, Elizabeth Deeds. Sequel to History: Postmodernism and the Crisis of Representational Time. Princeton: Princeton UP, 1991.

Federman, Raymond. "Surfiction: Four propositions in Form of an Introduction." In Federman, Surfiction 5-15.

_____. "What are Experimental Novels and Why Are There so Many Left Unread?" In Studies in American Literature: Essays in Honor of Enrique García Díez. Ed. Antonia Sánchez Macarro. Valencia: Universitat de València, Facultat de Filologia, 1991. 323-30.

_____. Critifiction: The Way of Literature. Albany: State U of New York P, 1993.

_____, ed. Surfiction: Fiction Now and Tomorrow. Chicago: Swallow, 1975.

Federman, Raymond, and Carl R. Lovitt, eds. Current Trends in American Fiction. Sub-Stance 27 (1980).

Fernández Cardo, J. M. El "nouveau roman" y la significación. Oviedo: Universidad de Oviedo, 1983.

Fitch, Brian T. Dimensions, structures et textualité dans la trilogie romanesque de Beckett. Paris: Minard, 1977.

Fletcher, John, and Malcolm Bradbury. "The Introverted Novel." In Modernism. Ed. M. Bradbury and J. McFarlane. Harmondsworth: Penguin, 1978. 1991. 394-415.

Fogel, Stanley. "And all the Little Typtopies: Notes on Language Theory in Contemporary Experimental Novel." Modern Fiction Studies 20.2 (Fall 1974): 28-36.

Fokkema, Aleid. "The Linguistic Turn: Metafiction in America." In Fokkema, Postmodern Characters. Amsterdam: Rodopi, 1991. 100-19.

_____. Postmodern Characters: A Study of Characterization in British and American Postmodern Fiction. Amsterdam: Rodopi, 1991.

Fowler, Roger. Linguistics and the Novel. 1977. London: Methuen, 1985.

Friedman, Ellen, and Miriam Fuchs, eds. Breaking the Sequence: Women's Experimental Fiction. Princeton: Princeton UP, 1989.

Fuentes, Carlos. Geografía de la novela. Madrid: Alfaguara, 1993.

Furst, L. R. Fictions of Romantic Irony. Cambridge (MA): Harvard UP, 1984.

Galván, Fernando. "Postmodernismo: las formas de la heterogeneidad." La página 2 (1992): 33-48.

_____. "Textos y códigos de la metaficción británica." Actas del XV Congreso de AEDEAN. Logroño: Colegio Universitario de La Rioja, 1993. 39-55.

_____. "Travel Writing in British Metafiction: A Proposal for Analysis." In British Postmodern Fiction. Ed. Theo D'haen and Hans Bertens. Amsterdam: Rodopi, 1993. 77-86.

Galván, Fernando, Aída Díaz Bild, Tomás Monterrey and Manuel Brito. Ensayos sobre metaficción inglesa. Universidad de La Laguna: Secretariado de Publicaciones, 1994.

García Díez, Enrique, y Javier Coy. La novela post-modernista. Madrid: Sociedad General Española de Librería, 1986.

García Landa, José Angel. "La subjetividad como máscara en las Nouvelles de Beckett." Miscelánea 7 (Zaragoza, 1986): 125-137. Internet edition (2004): http://www.unizar.es/departamentos/filologia_inglesa/garciala/publicaciones/subjet.html

_____. "'Unnullable Least': La metaficción y el vacío en el Beckett de los ochenta." Paper presented at the 10th AEDEAN Conference (Zaragoza, 1986). Actas del X Congreso de A.E.D.E.A.N. Zaragoza: Secretariado de Publicaciones de la Universidad de Zaragoza, 1988. 321-330.

_____. "El relato en la trilogía de Beckett Molloy, Malone Dies, The Unnamable." Ph.D. diss. U de Zaragoza, 1988.

_____. "'Silence Once Broken': Metalenguaje y clausura narrativa en Beckett." In Miscel.lània homenatge Enrique García Díez. Ed. Angel López García and Evangelina Rodríguez Cuadros. Universitat de Valencia / Consellería de Cultura, Educació i Ciència de la Generalitat Valenciana, 1991. 117-28.

_____. "Silence Once Broken: Metalenguaje y clausura narrativa en Beckett." Online edition in the author's website: http://www.unizar.es/departamentos/filologia_inglesa/garciala/publicaciones/silence.html

_____. "Silence Once Broken": Metalenguaje y clausura narrativa en Beckett." Online PDF in Zaguán 9 Oct. 2009. http://zaguan.unizar.es/record/4172

_____. "Lenguaje y différance en El Innombrable." Actas de las II Jornadas de Lengua y Literatura Inglesa y Norteamericana (1992). Ed. Pedro Santana. Logroño: Colegio Universitario de La Rioja, 1993. 69-82. Online ed. (2004): http://www.unizar.es/departamentos/filologia_inglesa/garciala/publicaciones/differance.html

_____. "'Till Nohow On': The Later Metafiction of Samuel Beckett." 1991. In British Postmodern Fiction. Ed. Theo D'haen and Hans Bertens. (Postmodern Studies, 7). Amsterdam: Rodopi, 1993. 63-76. http://www.rodopi.nl/senj.asp?BookId=PMS+7

_____. "Algunos elementos metaficcionales." Manuscript, 1991. Online ed. (2004): http://www.unizar.es/departamentos/filologia_inglesa/garciala/publicaciones/elementos.html

_____. Samuel Beckett y la narración reflexiva. (Humanidades, 19). Zaragoza: Prensas Universitarias de Zaragoza, 1992.

_____. "'Theory of Reflexive Fiction." 1992. Internet edition (2004): http://www.unizar.es/departamentos/filologia_inglesa/garciala/publicaciones/reflexive.html

_____. "'It's Stories Still': La reflexividad en las narraciones de Samuel Beckett." Revista Alicantina de Estudios Ingleses 5 (1992): 57-82. http://www.ua.es/dfing/publicaciones/raei/5/abstracts5.htm#Landa

_____. "The Poetics of Subliminal Awareness: Re-reading Intention and Narrative Structure in Nabokov's 'Christmas Story'." Online ed. of full version. (2007). http://www.unizar.es/departamentos/filologia_inglesa/garciala/publicaciones/subliminal.htm

_____. "The Poetics of Subliminal Awareness: Re-reading Intention and Narrative Structure in Nabokov's 'Christmas Story'" ("Poética de la consciencia subliminal"). In García Landa, Vanity Fea 7 Jan. 2010. http://vanityfea.blogspot.com/2010/01/poetica-de-la-consciencia-subliminal.html

_____. "The Poetics of Subliminal Awareness: Re-reading Intention and Narrative Structure in Nabokov's 'Christmas Story'." Academia.edu 7 Jan. 2010.

http://unizar.academia.edu/Jos%C3%A9AngelGarc%C3%ADaLanda/Papers/132318/The-Poetics-of-Subliminal-Awareness--Re-reading-Intention-and-Narrative-Structure-in-Nabokov-s--Christmas-Story- </p>

_____. “La realidad flojea.” In García Landa, Vanity Fea 7 Dec. 2005: http://garciala.blogia.com/2005/120702-la-realidad-flojea.php

Gass, William H. Fiction and the Figures of Life. Boston: Godine, 1979.

_____. "Tropes of the Text." In Representation and Performace in Postmodern Fiction. Ed. Maurice Couturier. Montpellier: Delta, 1983.

Gide, André. Les Faux-monnayeurs. Paris: Gallimard, 1925.

_____. Journal des Faux-Monnayeurs. Paris: Gallimard, 1927.

_____. Œuvres complètes. Paris: NRF, 1937.

Gillet, Joseph E. "The Autonomous Character in Spanish and European Literature." Hispanic Review 24.3 (1956): 179-90. Trans. in Teoría de la novela. Ed. Agnes and Germán Gullón. Madrid: Taurus, 1974. 273-85.

González Abalos, Susana. "Metafictional Games in Chatterton." Miscelánea 14 (1993): 57-72.

Grabe, Nina, Sabine Lang and Klaus Meyer-Minnemann. "De paradojas y paradojas: De un concepto epistemológico a un principio narratológico." In La narración paradójica. Ed. Nina Grabe et al. Madrid: Iberoamericana; Frankfurt a/M: Vervuert Verlag, 2006. 9-17.

Graff, Gerald. "Babbitt at the Abyss: The Social Context of Postmodern American Fiction." Tri Quarterly 33 (1975).

Greenberg, Alvin. "The Novel of Disintegration: Paradoxical Impossibility in Contemporary Fiction." Wisconsin Studies in Contemporary Literature 7.1 (1966): 103-24.

Grossvogel, David I. Limits of the Novel: Evolution of a Form from Chaucer to Robbe-Grillet. Ithaca: Cornell UP, 1968.

Guerard, Albert J. "Notes on the Rhetoric of Anti-Realist Fiction." Tri Quarterly 30 (1974).

Gullón, Ricardo. "El amigo Manso, nivola galdosiana." In Técnicas de Galdós. Madrid: Taurus, 1970. 57-102.

Gunn, Daniel. Psychoanalysis and Fiction: An Exploration of Literary and Psychoanalytic Borders. Cambridge: Cambridge UP, 1988.

Halperin, John, ed. The Theory of the Novel: New Essays. New York: Oxford UP, 1974.

Handwerk, Gary J. Irony and Ethics in Narrative: From Schlegel to Lacan. New Haven: Yale UP, 1986.

Hansen, Arlen J. "The Celebration of Solipsism: A New Trend in American Fiction." Modern Fiction Studies 19 (1973): 5-15.

Hayman, David. Ulysses: Mechanics of Meaning. Englewood Cliffs: Prentice, 1970.

_____. Re-Forming the Narrative: Towards a Mechanics of Modernist Fiction. Ithaca: Cornell UP, 1987.

Hawthorn, Jeremy. Joseph Conrad: Language and Fictional Self-Consciousness. London, 1979.

Heath, Stephen. The Nouveau Roman: A Study in the Practice of Writing. London, 1972.

Hendin, Josephine. "Experimental Fiction." In Harvard Guide to Contemporary American Writing. Ed. Daniel Hoffmann. Cambridge (MA): Belknap, 1979.

Herzberger, David. "An Overview of Postwar Novel Criticism of the 1970s." Anales de la narrativa española contemporánea 5 (1980): 27-38.

_____. "Fragmentos de Apocalipsis and the Meaning of the Metafictional Character." In Critical Studies on Gonzalo Torrente Ballester. Boulder: Society of Spanish and Spanish American Studies, 1989. 33-43.

_____. "Literature on Literature: Four Theoretical Views of the Contemporary Spanish Novel." Journal of Spanish Studies: Twentieth Century 7.2 (1982): 41-62.

_____. "Metafiction and the Contemporary Spanish Novel." Selected Proceedings of the 32nd Mountain Interstate Foreign Languages Conference. Winston-Salem: Wake Forest University, 1984. 145-52.

_____. "Split Referentiality and the Making of a Character in Recent Spanish Metafiction." Modern Language Notes 103.2 (1988): 419-35.

_____. "The Theoretical Disparity on Contemporary Spanish Novel." Symposium 22 (1979): 215-29.

Hidalgo Andreu, Pilar. La crisis del realismo en la novela inglesa contemporánea. Málaga: Servicio de Publicaciones de la Universidad de Málaga, 1987.

Hilfer, Tony. American Fiction since 1940. London: Longman, 1992.

Hite, Molly. The Other Side of the Story: Structures and Strategies of Contemporary Feminist Narratives. Ithaca: Cornell UP, 1989.

Horton, Susan R. Interpreting Interpreting: Interpreting Dickens's Dombey. Baltimore: Johns Hopkins UP, 1979.

Hume, Katryn. Fantasy and Mimesis: Responses to Reality in Western Literature. London: Routledge, 1984.

Hutcheon, Linda. Narcissistic Narrative: The Metafictional Paradox. 1980. New York: Methuen, 1984.

_____. "Modes and Forms of Narrative Narcissism: Introduction of a Typology." From Narcissistic Narrative. Selection. In Narratology: An Introduction. Ed. Susana Onega and José Angel García Landa. London: Longman, 1996. 203-16.

_____. A Theory of Parody: The Teachings of 20th-Century Art Forms. London: Routledge, 1985.

_____. The Canadian Postmodern: A Study of Contemporary English-Canadian Fiction. 1988.

_____. A Poetics of Postmodernism: History, Theory, Fiction. London: Routledge and Kegan Paul, 1988.

_____. "Telling Stories: Fiction and History." In Hutcheon, The Politics of Postmodernism. London: Routledge, 1989. Rpt. in Modernism /Postmodernism. Ed. Peter Brooker. London: Longman, 1992. 229-42.

_____. "Historiographic Metafiction." In Metafiction. Ed. Mark Currie. London: Longman, 1995. 71-91.

_____. "Historiographic Metafiction." In Theory of the Novel: A Historical Approach. Ed. Michael McKeon. Baltimore: Johns Hopkins UP, 2000. 830-50.

Ickstadt, Heinz. "Plotting to What End? Doctorow, Coover, and the Invention(s) of History." In Studies in American Literature: Essays in Honor of Enrique García Díez. Ed. Antonia Sánchez Macarro. Valencia: Universitat de València, Facultat de Filologia, 1991. 251-62.

_____. "Contemporary American Novel Between Post-Modernism and Neo-Realism." In Actas del XII Congreso Nacional de la Asociación Española de Estudios Anglo-Norteamericanos. Alicante: AEDEAN, 1991. 99-110.

Imhof, Rüdiger. "The Concept of Character in Contemporary Metafiction." Literatur in Wissenschaft und Unterricht 18 (1985): 289-308. <p id="hangingIndent">Janik, Dieter. "El desafío perpetuo al lector: 'Tema del traidor y del héroe' (Jorge Luis Borges, Artificios, 1944)." In La narración paradójica. Ed. Nina Grabe et al. Madrid: Iberoamericana; Frankfurt a/M: Vervuert Verlag, 2006. 171-81.

Janvier, Ludovic. Une parole exigeante: Le nouveau roman. Paris: Minuit, 1964.

_____. Una palabra exigente: el 'nouveau roman'. Trans. Rosa Marcela Pericás. Barcelona: Barral, 1972.

Jarnés, Benjamín. "Frente a la novela nueva." Revista de Occidente 146-7 (1993): 228-9.

Jefferson, Ann. "Balzac and the nouveau roman: Problems of reading." Romance Studies 2 (1980): 166-80.

_____. The Nouveau Roman and the Poetics of Fiction. Cambridge: Cambridge UP, 1980.

Jefferson, D. W. "Tristram Shandy and the Arts of Fiction." In From Dryden to Johnson. Vol. 4 of The New Pelican Guide to English Literature. Ed. Boris Ford. Harmondsworth: Penguin, 1991. 323-37.

Johnson, B. S. Introd. to Aren't You Rather Young to be Writing Your Memoirs? 1973. In The Novel Today; Contemporary Writers on Modern Fiction. Ed. Malcolm Bradbury. 1977. New ed. London: Fontana, 1990. 165-84.

Josipovici, Gabriel. The World and the Book. A Study of Modern Fiction. Stanford: Stanford UP, 1971. Houndmills: Macmillan, 1977.

Kahler, Erich. The Inward Turn of Narrative. Trans. Richard Winston and Clara Winston. With a Foreword by Joseph Frank. Princeton (NJ): Princeton UP, 1973. Trans. of "Die Verinnerung des Erzählens." In Kahler, Untergang und Übergang. Munich: Deutscher Taschenbuch Verlag, 1970.

Karl, Frederick R. American Fictions, 1940-1980. New York: Harper, 1983.

Kawin, Bruce F. The Mind of the Novel: Reflexive Fiction and the Ineffable. Princeton (NJ): Princeton UP, 1982.

Kellman, Steven. "The Fiction of Self-Begetting." Modern Language Notes 91 (1976).

_____. The Self-Begetting Novel. London: Macmillan, 1980.

Kenner, Hugh. Joyce's Voices. London: Faber, 1978.

Kermode, Frank. The Sense of an Ending: Studies in the Theory of Fiction. London: Oxford UP, 1967.

Kiely, Robert. Reverse Tradition: Postmodern Fictions and the Nineteenth-Century Novel. Cambridge (MA): Harvard UP, 1993.

King, Willard F. "Unamuno, Cervantes y Niebla." Revista de Occidente 47 (1967): 219-31.

Klinkowitz, Jerome. The Life of Fiction. Urbana: U of Illinois P, 1975.

_____. Literary Disruptions: The Making of a Post-Contemporary American Fiction. Urbana: U of Illinois P, 1975. Rev. ed. 1980.

_____. "Avant-Garde and After." In Substance 27: Current Trends in American Fiction. 1980.

_____. Kurt Vonnegut. London: Metheun, 1982.

_____. The Self-Apparent Word: Fiction as Language / Language as Fiction. Carbondale: Southern Illinois UP, 1984.

_____. Structuring the Void: The Search for Subject in Contemporary American Fiction. Durham: Duke UP, 1992.

Krysinski, Wladimir. Carrefours de signes: Essais sur le roman moderne. The Hague: Mouton, 1981.

Kronik, John. "El amigo Manso and the Game of Fictive Autonomy." Anales Galdosianos 12 (1977): 71-94.

_____. "Misericordia as Metafiction." In Homenaje a Antonio Sánchez Barbudo. Ed. Benito Brancaforte. Madison: U of Wisconsin P, 1981. 37-50.

Krysinski, Wladimir. "Metafictional Structures in Slavic Literatures: Towards and Archeology of Metafiction." In Postmodern Fiction in Europe andthe Americas. Ed. Theo D'haen and Hans Bertens. Amsterdam: Rodopi; Antwerpen: Restant, 1988. 63-82.

Kuester, Martin. Framing Truths: Parodic Structures in Contemporary English-Canadian Historical Novels. Toronto: U of Toronto P, 1992.

Kutnik, Jerzy. The Novel as Performance: The Fiction of Ronald Sukenick and Raymond Federman. Carbondale: Southern Illinois UP, 1986.

Lafon, Dominique. Borges ou la réecriture. Paris: Seuil, 1990.

Lang, Sabine. "Prolegómenos para una teoría de la narración paradójica." In La narración paradójica. Ed. Nina Grabe et al. Madrid: Iberoamericana; Frankfurt a/M: Vervuert Verlag, 2006. 21-47.

Laurent, Jacques. Roman du roman. Paris: Gallimard, 1977.

Lee, Alison. Realism and Power: Postmodern British Fiction. London: Routledge, 1990.

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