Archive for May, 2016

CFP for RSA 2017 Chicago: Early Modern Prose Fiction-Popular Literary Art

Thursday, May 12th, 2016
CFP: Early Modern Prose Fiction-Popular Literary Art
Although the last two decades have seen the publication of important studies on early modern prose fiction, the studied texts themselves remain marginal presences in scholarly narratives of early modern literature. More often than not, these texts are invoked for their relation to better-known dramatic texts, for the light they shed on topical events or discourses or for their contribution to the emergence of the novel. Studies discussing early modern prose fiction from a literary aesthetic perspective are comparatively rare despite – or precisely because of – the immense popularity and wide circulation of such texts at the time. This panel seeks to explore this tension between popularity and literariness and invites papers that focus on aesthetic aspects of early modern prose fiction, such as for instance
* stylistic features
* rhetoric strategies
* negotiation of literary trends
* metafictional and/or meta-poetic aspects
* literary affiliation
* generic hybridity and/or innovation
* interventions in discourses on poetics
* etc.
Submit abstracts for papers by Friday, 27 May to Rahel Orgis, University of Neuchâtel, Abstracts should be no longer than 150 words, headed by a title (15 words maximum) and accompanied by key words and a very brief curriculum vitae (300-word maximum; no prose bio).

Call for Papers for the Second Historical Fictions Research Conference

Tuesday, May 10th, 2016
Call for Papers for the Second Historical Fictions Research Conference

Dates: February 24th and 25th 2017

Location: National Maritime Museum, Greenwich, London, United Kingdom.

Conference Cultural Collaborator: National Maritime Museum.

Twitter: @HistoricalFic
Facebook Group: Historical Fictions Research Network

We aim to create a disciplinary core, where researchers can engage in issues of philosophy and methodology and generate a collective discourse around historical fictions in a range of media and across period specialities.

Paper proposals consisting of a title and abstract of no more than 250 words should be submitted to:

By September 1st 2016

(NB: the organisers will be checking email once a week).

Keynote speakers:

Michael Twitty, Explorer of the Culinary Traditions of Africa, African America and the African Diaspora @KosherSoul and

Virginia Preston, Kings College, London, is deputy director of the Institute of British History and a specialist in the social history of the navy. She has also written on the fictional naval family, the Marlows.

Inshore Squadron: a re-eneactment group who specialise in recreating the movements of historic naval battles from the Age of Sail and presenting them using computers and models of the ships at conferences and public events.

Registration Fee: £60

Students/Unemployed: £10
Historical fictions can be understood as an expanded mode of historiography. Scholars in literary, visual, historical and museum/re-creation studies have long been interested in the construction of the fictive past, understanding it as a locus for ideological expression. However, this is a key moment for the study of historical fictions as critical recognition of these texts and their convergence with lines of theory is expanding into new areas such as the philosophy of history, narratology, popular literature, historical narratives of national and cultural identity, and cross-disciplinary approaches to narrative constructions of the past.

Historical fictions measure the gap between the pasts we are permitted to know and those we wish to know: the interaction of the meaning-making narrative drive with the narrative-resistant nature of the past. They constitute a powerful discursive system for the production of cognitive and ideological representations of identity, agency, and social function, and for the negotiation of conceptual relationships and charged tensions between the complexity of societies in time and the teleology of lived experience. The licences of fiction, especially in mass culture, define a space of thought in which the pursuit of narrative forms of meaning is permitted to slip the chains of sanctioned historical truths to explore the deep desires and dreams that lie beneath all constructions of the past.

We welcome paper proposals from Archaeology, Architecture, Literature, Media, Art History, Musicology, Reception Studies, Museum Studies, Recreation, Gaming, Transformative Works and others. We welcome paper proposals across historical periods, with ambitious, high-quality, inter-disciplinary approaches and new methodologies that will support research into larger trends and which will lead to more theoretically informed understandings of the mode across historical periods, cultures and languages.

You can find a list of last year’s papers here: